From 2009 until 2015, our music issue featured a different Southern state every year (raise your hand if you’ve got them all: Arkansas, Alabama, Mississippi, Louisiana, Tennessee, Texas, and Georgia).
Last year, we departed from the series to examine “Visions of the Blues.”
In 2017, we are returning to the state series. And we are thrilled to share that it’s your turn, Kentucky.
The Commonwealth gave us musicians like Loretta Lynn and Nappy Roots, Richard Hell and Bill Monroe—just to name a very few—and beloved writers like Crystal Wilkinson, Ronni Lundy, Silas House, and our own poetry editor, Rebecca Gayle Howell. This is just a taste of Kentucky and a taste of what’s to come.
Lately, the editors have enjoyed the latest issue of VQR, a knockout; listened to the music of Daniel Martin Moore, a Commonwealth of Kentucky Nick Drake; and spoken with Karan Mahajan and Garth Greenwell, the authors of two remarkable and remarkably distinct novels.
It’s sunny in California. A thousand poets spin around each other, singing their verses into each others’ ears while spectators, smiling, sip their cocktails. Back in the South, a painter touches up a historic, complex mural—long weathered by thundering spring storms. At the newsstand nearby, the owner opens up the latest issue of his favorite weekly, the Arkansas Times.
Fog settles over the Ozarks. A car, winding through the hills, stops short—a mountain lion is slinking across the road, in patient, determined pursuit. Southward, in Little Rock, a group of Southern film devotees gathers in a basement to view an early screening of Jeff Nichols’s Midnight Special. Nearby, a gospel quartet warms up, summoning the Holy Spirit, ready to take their next audience to church.
One evening in Nashville, a man walks down the railroad tracks, singing, and his voice rolls through the heavy air. In Meridian, Mississippi, a child runs barefoot in dry grass, chasing lightning bugs—yellow lights that disappear just as his hands reach toward them.