OA99 COVER AND CD Medium Res WEB

19th Annual
Southern Music Issue & CD
featuring KENTUCKY

From 2009 until 2015, our music issue featured a different Southern state every year (raise your hand if you’ve got them all: Arkansas, Alabama, Mississippi, Louisiana, Tennessee, Texas, and Georgia).
Last year, we departed from the series to examine “Visions of the Blues.

In 2017, we are returning to the state series. And we are thrilled to share that it’s your turn, Kentucky.

The Commonwealth gave us musicians like Loretta Lynn and Nappy Roots, Richard Hell and Bill Monroe—just to name a very few—and beloved writers like Crystal Wilkinson, Ronni Lundy, Silas House, and our own poetry editor, Rebecca Gayle Howell. This is just a taste of Kentucky and a taste of what’s to come.

As always, the issue will come packaged with a CD (+ free download) of songs, with liner notes in the magazine.

On newsstands November 21, 2017 — Order your copy here.

The issue will mail to subscribers on November 7, 2017 — subscribe today.

 

Ted Scheinman

Ted Scheinman lives in California, where he is a senior editor of Pacific Standard magazine. His essays, reporting, and criticism have appeared in the New York Times, the Paris ReviewPlayboy, and Slate.
June 17, 2013

After listening to a leak of J. Cole’s forthcoming sophomore album Born Sinner, I drove two hours during a statewide tornado watch to ask what, if anything, Cole’s ascent means to people back home.

May 15, 2015

A surfeit of joy in B.B. King’s early singles.

Since his first recordings in the 1940s, B.B. King exuded a sunny elegance very much at odds with the tragedians of the early blues.

December 17, 2014

John Ehle's The Land Breakers, back in print: "In her introduction to the new edition, Linda Spalding calls The Land Breakers “a Chaucerian pageant.” So it is, but far, far sadder, with two particularly wrenching scenes that rise out of their dispassionate prose to draw tears from the unsuspecting reader."

August 05, 2013

“Before, you said my songs were ‘intensely moral,’” he says. “It took me off guard. And it’s the same thing with my sound—I don’t sit down to write a moral song, and I don’t sit down to write a country song; these things just happen.”