From 2009 until 2015, our music issue featured a different Southern state every year (raise your hand if you’ve got them all: Arkansas, Alabama, Mississippi, Louisiana, Tennessee, Texas, and Georgia).
Last year, we departed from the series to examine “Visions of the Blues.”
In 2017, we are returning to the state series. And we are thrilled to share that it’s your turn, Kentucky.
The Commonwealth gave us musicians like Loretta Lynn and Nappy Roots, Richard Hell and Bill Monroe—just to name a very few—and beloved writers like Crystal Wilkinson, Ronni Lundy, Silas House, and our own poetry editor, Rebecca Gayle Howell. This is just a taste of Kentucky and a taste of what’s to come.
A Kentucky Music Issue web-exclusive liner note.
Raised in Sandy Hook, Kentucky, Whitley grew up admiring country greats Lefty Frizzell and George Jones, whose vocal styles he imitated as a young musician. Whitley’s uncanny talent for mimicry is something of a legend around Nashville—he could, upon request, conjure with eerie precision the voices of Lester Flatt, Carter Stanley, and numerous others. He was, apparently, a man inhabited by an indwelling of spirits.
Boys looking for trouble, strangers on a Jet Ski, and a once-in-a-lifetime catch. A short story from our Fall 2009 issue.
Two brothers, both tattooed, came to this place years ago. In the drear of evening, they stripped to their long johns and, both feeling buxom with drink, swam to the sunken highway. It had gone under winters ago. Long after the road had ceased to be a thoroughfare of logical travel, a dike gave way and the lake waters rose and the asphalt sections broke and what remained was a ramp of pavement and loose rebar leaving the shore and going down into the murk. Like a road leading to the frigid nethers of the world.