December 12, 2017

In Through Darkness to Light: Photographs Along the Underground Railroad Jeanine Michna-Bales recreates the long voyage north toward freedom as it might have looked through the eyes of a single individual “oftentimes carrying little more than the knowledge that moss grows on the north side of trees.” These photographs of unpeopled rural landscapes, taken almost exclusively under the cover of descending or ebbing darkness, have about them a sense of both intimacy and mystery, conveying “how vast, strange, and forbidding these remote places must have felt to those making the journey” with an almost painful steadiness of vision.

December 05, 2017

Forks & Branches is an intimate meditation on the people and landscapes of Western North Carolina, where Aaron Canipe was raised. Tinted with a pervasive sense of loss and nostalgia, the project captures the particular poignancy of an adult returning to the geography of his childhood and reckoning with both his love for the place and a new understanding of its deep flaws, “hurt, detachment, and stubborn grace.”

November 29, 2017

In Myths of the Near Future Rob Stephenson considers the “Space Coast” of Florida after the closing of the Kennedy Space Center’s shuttle program. Interested both in documenting the very real economic struggles communities surrounding the Space Center have faced in the aftermath of the program’s end, and in exploring the “ambiguous realm between dream and reality, between past and future, nature and technology,” Stephenson’s photographs provide a portrait of a place suspended: “nostalgi[c] for the future as the promise of the Space Age slowly fades away.”

November 16, 2017

In the Edisto, Mathias Hungler photographs one of the longest free-flowing blackwater rivers in North America, capturing some of the most enchanting points along the river’s “two hundred fifty meandering miles.”

October 30, 2017

In Nausea, Ron Jude uses banal scenes of public schools to raise larger questions about the medium of narrative photography. The effect is “a world both familiar and uncanny, and imbued with a pervasive sense of unease.”

October 23, 2017

One of eight historic African-American neighborhoods in Raleigh, North Carolina, SE Raleigh was first settled more than 130 years ago. Once a hub for business, education, and cultural life, rising property taxes and increased rent have forced many people in the area to move out of their homes.

October 17, 2017

Bill Bentley’s introuction to Smithsonian Rock and Roll: Live and Unseen, a crowd-sourced collection of photos and stories. 

Thousands of submissions were uploaded over the next year. From professional-quality shots taken on film stock to digital mobile phone snaps, the entire spectrum of rock photography filled Smithsonian servers. . . . The results, spanning seven decades, aim for neither encyclopedic authority nor comprehensive finality, but rather an index of supreme influence. Artistic importance isn’t the same as popularity, as this guided tour of rock & roll proves at every turn of the page.

October 10, 2017

One month after Hurricane Harvey, Episcopal Priest Bertie Pearson visited Aransas Pass, Texas, to document the disaster. He found a city in ruins, as if it “had been lifted up and shaken, sending homes, boats, and trees flying in all directions.”

October 04, 2017

In Fair Bluff Evan Simko-Bednarski explores a North Carolina town “in danger of simply fading away,” struggling to recover from the damage caused by Hurricane Matthew in 2016. The flood and its destruction come after the one-two punch of the tobacco and textile industries crumbling in the 1990s. As one resident put it, “The town was dying. The hurricane just sped us up by ten or fifteen years.”

September 25, 2017

In That Land of Perfect Day is the culmination of Brandon Thibodeaux’s eight-year long residency in the towns of the northern Mississippi Delta, including the United States’ oldest completely African-American municipality, Mound Bayou.