September 05, 2017

A poem from the Fall 2017 issue.

There were more rebel flags and gun shops 
in Indy than Virginia, fewer mountains, 
less green for our eyes, and our cat 
wasn’t born there, she was born here, 
under the house, and if nothing 
April 25, 2017

From 1830 to 1860, Richmond, Virginia, was the largest supplier of enslaved Africans on the east coast of the United States.

April 03, 2017

In Take Me to the River, Michael Kolster explores the Androscoggin, Schuylkill, James, and Savannah Rivers as they emerge from two centuries of industrial use and neglect.

March 20, 2017
Bittersweet on Bostwick Lane explores the landscape of the artist’s childhood in all its loss and sweetness, her own memories inspired by and intertwined with stories told by her oldest neighbor.
March 07, 2017

The Virginia State Colony for Epileptics and Feebleminded by Molly McCullly Brown is out today from Persea Books. 

February 21, 2017

I’ll See You On The Beach addresses sites that commemorate the American legacies of exploration, conquest, and the instillation of nationalism by way of stimulating displays.

March 01, 2014
Deer snorts, dog snarls—that’s all I hear. Then I see brown and white fur, clumps of it floating in water, the stream pinking with blood. Deer and dogs in water. Jake, ninety pounds of shepherd, taking the doe’s hooves and teeth. Becca and Little B, smaller but still good-sized, at the rear biting fur and flesh, getting kicked, holding on.
October 28, 2016
A poem from the Fall 2016 issue. 
 
What are the details I’ve left out? That I’m not
 
poor. That I’ve never had to buy food
at the Dollar Store at the end of the month.
 
That I’m relentlessly straightforward lately,
which has to do with my need to tell you
 
exactly what happened, because what happened
is so unclear.
June 16, 2016

At seventeen, Joseph Wright left his working-class neighborhood of redbrick row homes and Italian restaurants in South Philly to spend a crisp spring and boiling summer in the woods of western Virginia.

April 04, 2016

At a moment when national dialogue about the Confederate Flag is prevalent, Michael Mergen’s piece Confederate Heroes, Confederate Dead considers how the South—especially Virginia—memorializes the Confederacy.

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