May 22, 2015

People have gone to Texas for many reasons. In the past, people went because they were running from something, such as Johnny Law or Jerry Influenza, while others went to get rich by digging in the ground for valuable commodities, such as oil and Dallas Cowboy cheerleaders. As for me, I came to Texas for a much less noble reason, which was to try to be a writer.

May 08, 2015

The sun rises over the mountains. A young girl wakes up and pads to the kitchen, where a pot of coffee has been left alone to brew. A plane passes close overhead. Out on the deck, a frayed hammock swings in the breeze.

December 06, 2013
The Outlaws were evidence that the counterculture had finally breached the South and had begun influencing even its most native forms, a rare period of overlap, it seemed, between popular and redneck tastes (between the rest of the country and “country”).
April 23, 2015

The voices of Norma Navarrete and Ana Laura Rojas personified the sadness of Jennifer Curtis’s violin as she arpeggiated the loss of human movement through her chord progressions. Impervious to any border, the music rose above the murmurings of conversations, the crush of the waves, the silence of the steel.

March 27, 2015

Armando Alvarez’s photographs have been published several times in the Oxford American, and we love following his work on Instagram, where he posts portraits of overflowing trash cans, hazy Houston landscapes, strangely beautiful still lifes of junk food, and much more. Most recently, we printed his image of an old truck surrounded by fog in our Texas music issue.

April 21, 2015

Certain sections of our border wall have become bi-national art spaces. Politicians plaster campaign posters; immigrants inscribe their names, home villages, and dates of crossing. Muralists and graffiti artists layer image upon image.

March 06, 2015

On Texas, old newspapers, race music, and two black lives that shaped the history of civil rights

C. F. Richardson was self-avowedly “militant.” He used the word and lived it. On his draft card he identifies his race as Ethiopian. For a while he was employed as a printer, then as a night-watchman at a white newspaper. Through a connection he got himself hired as an editor at the black-Baptist Western Star, moving from there to the Houston Observer, where he started to write and make his name.

February 26, 2015

On Texas, old newspapers, race music, and two black lives that shaped the history of civil rights

In 1891, C. N. Love noticed how much money other state’s newspapers were making on his labor and connections. He started the Navasota Echo, one of the first black papers in Texas, “the cheapest and best colored paper published west of the Mississippi,” he boasted, calling it a publication “devoted to the interests of the people in general and the negro in particular.”

February 19, 2015

An interview with Amanda Shires.

I was trying to be on my own in Lubbock, playing my own songs, but I guess people didn’t see me like that. It was my fault, because I had to pay my rent, so I was still taking sideperson work, which kept me from being known as just that. I had written some songs with Thrift Store, but it was never an idea that I could do it on my own, solo, until Billy Joe told me to. He even said, “There’s no loyalty in side work. This week, fiddle is cool, but next week, it might be a dobro, and then where will you be?”

December 01, 2014

By early summer, Houston is so muggy that all the edges blur. Temperatures slink into the low 90s and stay there. In certain neighborhoods, the smell of weed lingers, lending the air a permanent tang. Slabs, creeping slowly down the street, broadcast a sound indigenous to the city, a sluggish hazy rhythm that couldn’t have been born in any other town.