December 15, 2014
Joe Ely’s rowdy self-titled debut album from 1977 brought a rock & roll spirit to its mix of country, blues, and folk music. The record was largely ignored in America but found an audience overseas, and on one tour Ely struck up a relationship with the Clash and particularly Joe Strummer. A few months later, they were touring Texas together. “I don’t remember all the good nights,” Ely says, laughing, “but I remember the bad nights really well.”
January 15, 2014

A story from the 2014 Texas Music Issue.

The woman at the bar had been bitching to the rancher about her husband. The rancher hoped the night would end in the motor court down the highway. 

November 15, 2016

We was on the radio at Del Rio,” recalls one of the Cowboy Kings in Clem Maverick, R. G. Vliet’s multi-voiced epic poem about the high-lonesome lovesick rise and fall of a country-western singer. “That night Clem yodeled from his toes up. Had to tote him from the mike.” Clem and the Cowboy Kings tore up their tunes as phantoms of a poet’s muse, but their flesh, blood, and whiskey kin conjured their sound into every corner of North America and beyond. Clem’s audience would have known that “the radio at Del Rio” meant one of the high-powered radio stations that dotted the northern frontier of the Republic of Mexico and blasted their signals northward in English from 1930 to 1986. Over the course of those fifty-six years, border radio’s continent-spanning coverage played a major role in popularizing just about every kind of music that came out of Texas: hillbilly, cowboy, gospel, Mexican, Tex-Mex, country-western, blues, r&b, rockabilly, and rock & roll.

December 31, 2014

A poem from the Winter 2013 issue.

Veronica is lovely. She wipes the dust from Christ’s face in the carving
beside Simon, though she is never mentioned in the Gospels.

October 21, 2016

A story by Ben Stroud from our Fall 2016 issue.

My Dear Master Liszt!

I have become a slave owner. Yes, like you I believe in the freedom of all men—your Hungarians, the Poles, the Rumanians!—and in the role we artists must play—light-bringers, revealers of passion, sympathizers with the oppressed! But I have become a slave owner. It is a stain, a mark of rot. How many stains have I come to bear in these last weeks? They are countless.

October 21, 2016

A conversation with Ben Stroud.

“Lots of people don’t like the idea of white guilt, for a whole variety of reasons. But I think it’s useful, and important. The simple answer is that if you’re white and live in the South—or, more broadly, America—you are connected to these actions. They are part of what made the world we live in today—part of what built the various structures of privilege, etc. We live in a culture that loves to deny guilt. And in some cases, that’s very useful. Shame can be really inhibiting to living a fulfilled life, and it can be a tool of repression/oppression. But certain kinds of shame and guilt can be useful, are necessary, and I think the oft-derided white guilt can be one of these.”

October 18, 2016

A conversation with Guy Clark biographer Tamara Saviano.

“Guy was telling me for at least a year and a half before he died that he would not be here when the book came out.”

July 08, 2016

A conversation with Manuel Gonzales.

“Magical and fantastical is what I grew up on—that and horror and the science-fictional and the soap operatic worlds of comic books—and to me it feels like a natural mode of telling a story. You learn about a character by watching him or her run the gauntlet of some horror show or run through some lengthy, fraught journey filled with monsters and magic and pitfalls.”

June 08, 2016

Preservation, geography, and the passing of time are Kelly’s fascinations, and his images remind us that the mundane of our present moment will become the treasure of the backward-looking future.

May 04, 2016

An interview with Matt Wolfe, whose essay “Ride Along with the Cow Police” appears in the Oxford American’s Spring 2016 issue.

“I spoke with more than one rancher who was genuinely perplexed that cattle rustling wasn’t still a hanging crime. This level of enmity seemed pretty typical.”