Yell If You Think You Might Be Sinking by Taylor Finke examines the homes of women—including Finke’s mother—with whom the photographer has lived. Never quite at home in these places, Finke uses the settings to examine her own ideas about space and domesticity.
I’m hunting the bones of the outlaw Leslie Cox. For a long time rumor was that Cox, a surly, dark-haired drifter from up around Fort White, Florida, was hiding out here in the Ten Thousand Islands, prowling its knotted creeks and salt marsh bogs, and just might turn up on your porch one evening to settle old scores. “Unless Watson killed him, which nobody believed, Cox was still there,” Peter Matthiessen writes in Shadow Country, his fictional re-jiggering of this region’s most hard-dying legend. Of course we’re talking ages ago. Cox, even if he did live out his life in this wilderness, is long gone now.
Memories, particularly with loved ones, are a curious phenomenon. The good ones often do not fully announce themselves as anything close to “good” when they are happening. It’s only after the event, when a new perspective is gained, that they become an accepted—or funny, or weird, or sweet—episode in family history.
At some point in the late Gilded Age of America, rich white people decided winter would no longer be tolerated. The impertinence of cold, the incommodiousness of ice, the dirt of the coal fire, the gray of the sky—these were for ordinary people, not the titans who controlled the banks and the steel mills and the oil fields and the railroads and the bootlegging. They went to Florida.
From the archive.
Billy Mitchell, the most knowledgeable and masterful Pac-Man player ever to drop a quarter in a machine, is a hard man to find. When I asked one of his best friends, Walter Day, the best way to get in touch with him, Day told me, “First I spend an hour praying to God, then I visit a psychic, then I place a classified ad, then I hire a plane to carry a banner that says CALL ME BILLY! and make it fly all over South Florida. Because he might be anywhere.”
I came from New York to the racetracks of Florida as a groom but also as a poet, one who wasn’t writing very much. It took some time to end up in a good stable, but I was young and the timing of youth has a sense of the divine, or so it seemed when one day I found myself working for Woody Stephens, who had one of the best training outfits in America.
In Florida’s Waterfront Wonderland Sean Salyards turns his lens to the real estate developments in Cape Coral, Florida. The series was inspired by Salyards’s late grandfather—a longtime resident of the Cape—as well as his father, who died of cancer in 2007.
A short story by John McManus.
I first met Max on my way home from the Gulp, a bottomless whirlpool in the Everglades where people go to commit suicide. This was in 2005. You have to hike six miles along a blackwater canal dug by Andrew Jackson’s slaves, to a remote lake where you wade out until you’re sucked under to drown. Your body turns up in the Intracoastal Waterway. I don’t know the physics of it.
What will happen when humanity pushes itself to the brink of extinction? That’s the question posed by Corey George in “Alas, Babylon,” a series of photographs documenting Florida’s vast underpopulated suburbs. Slowly yet relentlessly, nature is reclaiming places like Lehigh Acres, with its 100,000 empty lots and 10,000 miles of unused roads. “One day,” George says, “these roads will be gone, and this land will go back to being Florida scrubland and forest.”