We celebrated our twenty-fifth anniversary year by doing what we’ve always done: publish the groundbreaking fiction—three excerpts from Jesmyn Ward’s National Book Award–winning novel, Sing, Unburied, Sing—essays, nonfiction, and poetry our readers have come to expect. Revisit or catch up on… | Dec, 2017
From the Alabama music issue.
G-Side is a group that has been on the brink of underground eminence for the bulk of their career, and they’ve been discovered several times. Effortless to enjoy, difficult to compartmentalize, the most logical ways to describe them seem contradictions in terms.
After breakfast on Saturday, my mama would turn on the WDIA program All Blues Saturday and the blues would growl out of the cream-and-gold GE radio on the kitchen counter, eclipsing my cartoons. Sometimes, she would call to my daddy that one of his songs was on and they would share a low, private chuckle about old times. Grown-up times. Mississippi times.
A Jazz Journey from Alabama to Saturn—and Back.
On October 20, 1952, Herman Poole Blount of Birmingham, Alabama, entered a Chicago courthouse and rid himself of the name he'd never identified with anyway. He was almost forty and had not been Herman for many years—not to those who knew him and certainly not to himself. Blount left Birmingham in 1946, part of the historic wave of blacks from the Deep South, but it's fair to say his migration was of an entirely different magnitude: He would not return to Birmingham for more than three decades, and once he left the South, it was as if he had never been there at all.