There are no great books about the Everly Brothers. No classic documentary films. Despite their influence on American pop music, which would be difficult to overstate, or the great, gaping beauty and sadness of their music, we are left with… by Will Stephenson | Nov, 2017

A Points South essay from the Kentucky Music Issue.  The last time I heard Jimmy Raney play was at Bellarmine College in Louisville. To know that a master like Raney had gone deaf was to know that a Rembrandt was… by J.D. Daniels | Nov, 2017

I used to imagine the Holy Ghost as a fog that slept in the rafters of our church. I thought our music, singing, and shouting woke the Spirit. When It looked down and saw us, It was reminded of how lonely… by Ashley Blooms | Nov, 2017

Track 5 – “Rainbows” by James Lindsey FEAT. Cicily Bullard When Lindsey raps “I’m talking rainbows,” I think he must be talking black joy. I think he must be talking the kind of rainbow you see in the shimmer-swirl of… by Minda Honey | Nov, 2017

Track 11 – “I’m Going to Organize, Baby Mine” by Sarah Ogan Gunning In the Eastern Kentucky coalfields, unionism—or its lack—was a creed people held and defended as fiercely as those of the region’s charismatic religions. And the music Sarah… by Elyssa East | Nov, 2017

A Freakwater song works something like this. Irwin starts singing over a bass and guitar. Bean comes in after a few bars, accompanied by violin or pedal steel. They trade lines back and forth, then converge into stacked harmonies in… by Erik Reece | Nov, 2017

Track 10 – “Camp Nelson Blues” by Booker Orchestra The music made by the Booker Orchestra of Camp Nelson, Kentucky, has been almost completely obscured by time. In that distinction, it’s representative of many of the contributions made, to the… by Nathan Salsburg | Nov, 2017

Everybody wants to be Southern but don’t nobody want to be Southern, too. To enjoy the culture, to have gentrified ham hocks, but not to deal with ham hocks’ relationship to slavery or slavery’s relationship to the present and future.… by Zandria F. Robinson | Nov, 2017

Notes on the songs from our 19th Southern Music Issue CD featuring Kentucky. This faculty, to be attuned to one’s surroundings and the ways in which they’re unique, to be rooted in the local, to be of a certain place—no matter if… by Oxford American | Nov, 2017

Jeff Rich

Jeff Rich is a photographer based in Iowa City. His work focuses on water issues ranging from recreation and sustainability to exploitation and abuse. Jeff currently teaches photography at the University of Iowa. He curates the OA’s weekly photo series, Eyes on the South.

December 10, 2013

In the series Vanishing Points Michael Sherwin documents the modern sites of previous American civilizations. Sherwin writes, "In my most recent project I explore the ancestry of the American landscape, and reflect upon traditional Western Anglo-American views of nature, wilderness, ownership, and spirituality. The project was inspired by the battle over the use of land that is now the Suncrest Town Center in Morgantown, WV."

December 07, 2013

In his series Southern Vernacular, Don Norris documents the architecture of the 19th and early 20th century throughout the South. As a landscape photographer Norris is interested in the commonplace, with a focus on in vernacular architecture. He has photographed widely, but especially in small towns and rural settings in the South that prospered before the Civil War, and his photographs have been selected for many national and regional juried competitions and have won several awards.

September 30, 2013

"These places have seen their share of hardship, as economic downturns and shrinking populations have left them with few traces of their former prosperity. The built environment and its artifacts are reflective of the life and culture found here. Traditions of faith, love of country, and pride in hard work are deeply rooted in these communities."

 

August 19, 2013

"In terms of subject matter, I always look first to the common and the everyday. Often this includes familiar interior spaces and, more recently, the surrounding landscape. The portfolio This Is Nowhere relies upon the inherent poetic qualities of the Smoky Mountain region, where the enduring theme of time marks its presence most succinctly."

June 30, 2013

In Daniel George's series, Natural Selection, we are invited into the quiet yards, driveways, and streets of suburban coastal Georgia. We see a yard where, behind a chain link fence, barking dogs are replaced with stoic plastic deer, a house where dolphins frolic on the shutters, and an alley where a potted plant lays forgotten.

November 16, 2014

A native of Blanchard, Louisiana, Cody Cobb takes us west, towards the Ark-La-Tex region. Cody says, "These scenes were discovered while exploring dirt roads, abandonments, swamps, and pine forests of northwest Louisiana, east Texas, and south Arkansas."

May 09, 2013

In Eyes on the South, Kevin Thrasher explores recreational landscapes in and beyond the region with this series. He says that "these photographs exist between accepted ideas of landscape and these newer more controlled spaces."

March 25, 2013

Scott Hubener’s project The Space In Between documents the landscape and residents along U.S. Route 23, between Asheville, North Carolina, and Johnson City, Tennessee. This highway was the only way to reach Johnson City until an extension of Interstate 26 was constructed in 2003. Interstate 26 now towers over the landscape of Appalachia, and the small towns and villages are completely bypassed by the many visitors to the region each year.

March 11, 2013

In his ongoing series, Nashville photographer Hollis Bennett documents the leisurely, and sometimes not-so-leisurely, moments of the great American Weekend. All is not as it seems with these revelers, Hollis writes, "I explore the state of relaxation, joy and general delight that we strive for at the end of the week and the absence of work. In many instances though, such states as anxiety, fear, and doubt are mixed in, lurking under the thin veneer of a good time."

January 27, 2013

Sarah Hoskins's The Homeplace is a beautifully considered study of the small African-American communities that sprang up in post–Civil War Kentucky. Some of these communities have endured, and even thrived throughout the past 150 years. Others are on the verge of disappearing.