There are no great books about the Everly Brothers. No classic documentary films. Despite their influence on American pop music, which would be difficult to overstate, or the great, gaping beauty and sadness of their music, we are left with… by Will Stephenson | Nov, 2017

A Points South essay from the Kentucky Music Issue.  The station’s first transmission was of the revered union ballad singer Nimrod Workman offering a lyrical good-morning salute to “all of my people”—and WMMT 88.7 FM has been an inclusive and… by Jeffrey A. Keith | Nov, 2017

A Points South essay from the Kentucky Music Issue.  The last time I heard Jimmy Raney play was at Bellarmine College in Louisville. To know that a master like Raney had gone deaf was to know that a Rembrandt was… by J.D. Daniels | Nov, 2017

I used to imagine the Holy Ghost as a fog that slept in the rafters of our church. I thought our music, singing, and shouting woke the Spirit. When It looked down and saw us, It was reminded of how lonely… by Ashley Blooms | Nov, 2017

An interview with Les McCann from the Kentucky Music Issue.  All through high school the band teacher and I were very good friends. He received tickets to all the bands and brought me to concerts. I was in perfect heaven. I never… by Harmony Holiday | Nov, 2017

Track 5 – “Rainbows” by James Lindsey FEAT. Cicily Bullard When Lindsey raps “I’m talking rainbows,” I think he must be talking black joy. I think he must be talking the kind of rainbow you see in the shimmer-swirl of… by Minda Honey | Nov, 2017

Track 11 – “I’m Going to Organize, Baby Mine” by Sarah Ogan Gunning In the Eastern Kentucky coalfields, unionism—or its lack—was a creed people held and defended as fiercely as those of the region’s charismatic religions. And the music Sarah… by Elyssa East | Nov, 2017

Everybody wants to be Southern but don’t nobody want to be Southern, too. To enjoy the culture, to have gentrified ham hocks, but not to deal with ham hocks’ relationship to slavery or slavery’s relationship to the present and future.… by Zandria F. Robinson | Nov, 2017

Notes on the songs from our 19th Southern Music Issue CD featuring Kentucky. This faculty, to be attuned to one’s surroundings and the ways in which they’re unique, to be rooted in the local, to be of a certain place—no matter if… by Oxford American | Nov, 2017

Jeff Rich

Jeff Rich is a photographer based in Iowa City. His work focuses on water issues ranging from recreation and sustainability to exploitation and abuse. Jeff currently teaches photography at the University of Iowa. He curates the OA’s weekly photo series, Eyes on the South.

April 13, 2015

In Post Script, Rachel Boillot explores the role of the postal service in rural Southern communities—including the impact of the U.S. government’s decision to close more than three thousand post offices in 2011.

April 06, 2015

In Florida’s Waterfront Wonderland Sean Salyards turns his lens to the real estate developments in Cape Coral, Florida. The series was inspired by Salyards’s late grandfather—a longtime resident of the Cape—as well as his father, who died of cancer in 2007.

March 24, 2015

Inspired by stories of Hurricane Camille, which devastated the Mississippi coast in 1969, Thomas Pearson explores the ways that communities collectively navigate natural disasters. In Flesh Like Grass Pearson focuses on the tornado-ravaged town of Columbia, Mississippi, as well as the post-Katrina landscape of the Gulf Coast.

March 17, 2015

In “Shiny Ghost,” Rachel Cox photographs her grandmother over the last few years of her life as she struggled with a degenerative brain disease. Through this series, Cox was able to confront the unsettling emotions sewn into their relationship, and finally came to understand how mutual vulnerability and trust could restore their connection.

March 04, 2015

Cole Caswell’s photography explores the lives of people who live off the conventional grid, such as a homeless DIY punk couch-surfing in Savannah and a retired stock trader/primitive-skills-master hiding out on a swampy homestead. Caswell develops his images, all tintypes, on the road in a hand-built portable darkroom.

February 23, 2015

“Do we simply see what we believe or do we believe what we see?” This is the question posed by Elizabeth Moran in her series “Record of Cherry Road,” which investigates paranormal activity on her family’s land in Memphis, Tennessee.

February 17, 2015

Rising from the artist’s interest in photography and oral history, Tall Timbers is a visual and verbal project. Sass’s goal is both to document the dwellings where tenant farmers once lived, and to hear the stories of the families who contributed extensively to the history of Southern agriculture.

February 02, 2015

What will happen when humanity pushes itself to the brink of extinction? That’s the question posed by Corey George in “Alas, Babylon,” a series of photographs documenting Florida’s vast underpopulated suburbs. Slowly yet relentlessly, nature is reclaiming places like Lehigh Acres, with its 100,000 empty lots and 10,000 miles of unused roads. “One day,” George says, “these roads will be gone, and this land will go back to being Florida scrubland and forest.”

January 26, 2015
During a recent trip through the Grand Canyon, I recognized the loss of water, land, and culture that's been inflicted upon the Colorado River. I realized the importance of watersheds as maps; they tell the story of civilization. This inspired my investigation into the current state of American rivers.
January 13, 2015

Once a thriving port during the Civil War, Hopewell hasn’t seen its heyday since. Today it struggles to keep its economy afloat and the local grocery stores in business, but, unlike many American cities, Hopewell isn’t on the decline. In fact it has been about the same my whole life—a small, unchanging factory town in central Virginia.