A short story from our Winter 1995 issue. They said adolescent despair; they said anger turned inward; if they were Sidney Grau, M.D., Ph.D, consoling Tansy’s mother by the family's blue expanse of swimming pool on New Year’s Eve, they… by Lynna Williams | Dec, 1995

Amid the chorus of opinions and think pieces, the loudest, most eloquent voice was Mayor Landrieu’s, immortalized in a speech he delivered on May 19, 2017. The remarks were meant to unify the city after a divisive period, but they… by Jeanie Riess | Sep, 2017

Immigrants are active Southerners. They choose to live here, to raise families, to grow businesses. Despite unfavorable odds that may, in this new age of American isolation, temporarily thwart innovation, active Southerners are reinventing the region. In the process, as… by John T. Edge | Jun, 2017

A story by Jesmyn Ward, the second of three excerpts from her forthcoming novel Sing, Unburied, Sing.  Because I wanted Michael’s mouth on me, because from the first moment I saw him walking across the grass to where I sat… by Jesmyn Ward | Jun, 2017

Cut

An installment in Chris Offutt’s Omnivore column, Cooking with Chris.  Magic and cooking are based on the same principles of transformation, cutting and restoring, vanishing and reappearing. A blue handkerchief suddenly becomes red! A woman sawn in half returns intact! A… by Chris Offutt | Jun, 2017

Think of these women, coming out of the South and up to Milwaukee, arriving finally in tiny, all-white Grafton by either streetcar or automobile and feeling their way in a studio for the first time. As they fought the forces… by Daphne A. Brooks | Feb, 2017

An installment in our weekly series, The By and By. As James Taylor puts it, “These images of our dear friend and native son, Reynolds Price, are precious reminders of a lovely life, fully lived and generously shared with those… by Alex Harris, Margaret Sartor, and Reynolds Price | Aug, 2017

Parts of the nation would succumb to despair as entrenched racial prejudice was mined to soothe the emotional needs of isolated, angry people. But those willing to resist the chatter, sit in silence, and sink into the pain found spiritual… by Michelle García | Apr, 2017

A Southern Journey from the Summer 2017 issue.  The grass was up to my waist as I crouched down on the side of Interstate 20 a few miles outside of Van. Insects buzzed around my head, and I tried not to… by Joel Finsel | Jun, 2017

An installment in our weekly series, The By and By.  I am lying in bed on the Fourth of July. The apartment is empty. A box fan is propped on the dresser, blowing cool air, though I can’t hear it.… by Will Stephenson | Jul, 2017

An installment in our weekly series, The By and By.  We all have an emotional connection to eating—anyone who has ever soothed hurt feelings or mended a broken heart with food will agree. Food can appease sadness, albeit only temporarily,… by Sandra Gutierrez | Aug, 2017

Photographs from the Summer 2017 issue by Johanne Rahaman with an introduction by Sarah Stacke. Built in the early 1940s, Blodgett Homes is a 654-unit public housing complex. According to Cherlise, who was born in 1982, the community there used… by Sarah Stacke and Johanne Rahaman | Jun, 2017

Jeff Rich

Jeff Rich is a photographer based in Iowa City. His work focuses on water issues ranging from recreation and sustainability to exploitation and abuse. Jeff currently teaches photography at the University of Iowa. He curates the OA’s weekly photo series, Eyes on the South.

February 22, 2016

A selection of works from the Do Good Fund collection, promoting the excellence and diversity of contemporary Southern photography.

December 21, 2015

The series Its Hills and Valleys  by Matthew Jessie presents images of the photographer’s native East Tennessee. In his work, Jessie seeks to correct false representations the Appalachian region has contended with for decades.

December 16, 2015

This series by Blake Burton documents the rehabilitation of one of Atlanta’s most historic buildings: the Sears, Roebuck & Company building in the city’s Old Fourth Ward neighborhood, which reopened last year as the Ponce City Market.

November 23, 2015

The Mountain Stands Still by Elle Olivia Andersen observes the life of a man named Robert, who is deeply attached to his isolated mountain home. The photographs explore his identity within the Southern landscape and encourage viewers to investigate their own place in the world.

November 16, 2015

In the series Memorial Water, Maury Gortemiller blends the familiar of everyday scenes into the surreal plane of memory. Whether photographing candidly or staging and digitally altering the shots, Gortemiller focuses on moments in one’s personal history that are just beyond clear recollection.

November 10, 2015

Tired of Being Tired, by Ari Gabel, focuses on people of the Mississippi Delta. Inspired by his love for the delta blues, Gabel traveled throughout the region searching for the source of this powerful genre of American music.

November 03, 2015

These photographs by Rusty Miller, taken in the 1960s and ’70s, feature Atlanta’s Summerhill, Old Fourth Ward, and Vine City neighborhoods as well as the MARTA bus line. A careful and intense observer, Miller is known for his often candid and striking images of his subjects.

October 21, 2015

All the Place You’ve Got  by Cate Colvin Sampson explores the communities of the vanishing South Louisiana hinterlands. The series is inspired by the conservationist writings of Wendell Berry and Mike Tidwell.

October 13, 2015

The series Plateau by Aaron Canipe examines North Carolina’s Piedmont region. Inspiration for the series comes from Thomas Wolfe’s novella The Lost Boy: “ . . . the earth’s pivot, the granite core of changelessness, the eternal place where all things came and passed, and yet abode forever and would never change.”

October 05, 2015

The campus of Morris Brown, a historically black college, was closed in 2002, and today the grounds are largely abandoned. Andrew Feiler’s series Without Regard takes a look at the hauntingly silent campus.