Daddy’s truck was one of those places—like a grandmother’s house, a real and actual soul food restaurant, or a barbershop owned by an older black man who guards the radio by silent threat of the revolver in his drawer next… by Zandria F. Robinson | Dec, 2016

I’ve spent a lot of time recently listening to Bob Dylan’s second album. Not Freewheelin’, the LP with him and Suze Rotolo on the cover and “Blowin’ in the Wind” in the grooves. That’s the one we know, because a… by Elijah Wald | Dec, 2016

A short story from the 2016 Southern Music Issue. Tonight, my cousin Looney celebrated his twenty-first birthday and invited everybody he knew via mass text to come celebrate with him. “Kick it wit ya boy,” the text read. by Regina N. Bradley | Jan, 2017

Atget, Modotti, Weston, Stieglitz, Avedon, Karsh, Brassaï, Bresson, Ulmann. Jim would hand the books to me with no explanation, no bias of who was who and why and what the world already thought of the work. He told me only… by Rebecca Gayle Howell | Jan, 2017

One of my tasks as curator of the Alan Lomax Archive is to manage its YouTube channel. Several years ago, I noticed a particular strain of commentary recurring on the five clips that compose the recorded output of an utterly… by Nathan Salsburg | Jan, 2017

Black Keys frontman Dan Auerbach on Junior Kimbrough’s influence. “It’s proven most of the time to be true: some of the music that I love the most, that I want to live with forever, are records I didn’t quite get… by Benjamin Hedin | Jan, 2017

I couldn’t quite figure out why Japanese listeners had come to appreciate and savor the blues in the way that they seemed to—lavishly, devotedly. Blues is still an outlier genre in Japan, but it’s revered, topical, present. by Amanda Petrusich | Jan, 2017

New Orleans Second Lines Culture presents traditions of New Orleans’s African American community seen in second line parades organized by social aid and pleasure clubs. by Charles Muir Lovell | Jan, 2017

Rebecca Gayle Howell

Rebecca Gayle Howell is the author of American Purgatory, which was selected by Don Share for the Sexton Prize and will be released in the U.K. and the U.S. in early 2017. She is also the author of Render / An Apocalypse and the translator of Amal al-Jubouri's Hagar Before the Occupation / Hagar After the Occupation, both of which received wide critical acclaim. Howell is a senior editor at Oxford American. 

January 11, 2017

Atget, Modotti, Weston, Stieglitz, Avedon, Karsh, Brassaï, Bresson, Ulmann. Jim would hand the books to me with no explanation, no bias of who was who and why and what the world already thought of the work. He told me only to put paper clips on the pages holding photographs that “found something in me.”

July 01, 2016

Besides the fact that white doves are rare in East Kentucky (unless they are being released from wire cages at your mine-site nuptials), this dove sent a cold chill across Cowan because he’d arrived none other than on the day after Ralph Stanley passed.

February 26, 2016

Since joining the Oxford American in 2014, I’ve taken the occasion of our annual music issue to offer our readers a variety of special poetry features. I feel that our Georgia issue, aligned with the spirit of that state, acts as a little archive of a certain time and place, a bound capsule of song and sensibility.

June 08, 2014

Five poems from the spring 2014 issue.

Across the white highway, dogs drift unmoored
Silver-tipped seagrass, but no cactus. An offing
of shopping plazas, their harsh light and low roofs.
That's the way with drought; first dissent,
a worm belief that one place could be another.
I bet it feels good to twist a head of cotton
clean from the stem's fat and browning boll.
I bet it feels good to stand in irrigated rows.