We celebrated our twenty-fifth anniversary year by doing what we’ve always done: publish the groundbreaking fiction—three excerpts from Jesmyn Ward’s National Book Award–winning novel, Sing, Unburied, Sing—essays, nonfiction, and poetry our readers have come to expect. Revisit or catch up on… | Dec, 2017
Caitlin Love is the associate editor of the Oxford American. Her research and reporting have appeared in the New York Times Magazine.
This Pagan world is a discreet part of American religious history that hadn’t been told of yet, outside of very small snippets in books that are really for the community itself. There’s power in having a narrator whom you feel like you can relate to. This helps make the reader willing to go along with you as you end up in late-night circles drinking from chalices and all the other good witchy stuff.
We would argue that Bayou Maharajah, which won our 2013 Best Southern Film Award, is one of most culturally important documentaries made in recent years. Through a stunning collection of dreamlike montages of New Orleans streets, rediscovered footage of Booker's performances, and interviews with Booker's admirers (including musical icons Irma Thomas and Allen Toussaint), Keber grants us access into the life of a uniquely talented and unjustly neglected American musician.
Tess Taylor’s debut book of poetry, The Forage House, is a lyric wonder rich with the complications of an Old South genealogy. At once related to rural Appalachians, New England missionaries, and the Jefferson family in Virginia, she digs up the complications of her family history and asks herself, “How do we access what we cannot know about the past?” but also “How do we know how to write about that?”
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