We celebrated our twenty-fifth anniversary year by doing what we’ve always done: publish the groundbreaking fiction—three excerpts from Jesmyn Ward’s National Book Award–winning novel, Sing, Unburied, Sing—essays, nonfiction, and poetry our readers have come to expect. Revisit or catch up on… | Dec, 2017
Kirby Gann’s most recent work includes the novel Ghosting, which made the “Best of Year” lists from Publishers Weekly and Shelf Awareness and was a finalist for the Kentucky Book of the Year; a short work of nonfiction, Bookmarked: John Knowles’ A Separate Peace; and stories in Ploughshares and Post Road. He lives in Louisville, Kentucky, with his wife and three dogs, and teaches in the brief-residency MFA in Writing Program at Spalding University.
A Kentucky Music Issue web-exclusive liner note.
For some twenty-five years I’ve maintained an obsession with four specific seconds in all the history of rock & roll. Four seconds of a single guitar ripping a hot lick, the opening salvo to a rock & roll song from 1969, a song I don’t particularly love (it’s not my typical go-to music), played by a band I almost never listen to (no disrespect intended). But these scant seconds thrill my ear, lift my spirit, and send me back to my own guitar with renewed enthusiasm, and they capture the singular virtuosity of Steve Ferguson—a great musician from Louisville you’ve likely never heard, which I consider truly unfortunate, because boy is he ever worth the hearing.