A story by Jesmyn Ward, the third and final excerpt from her forthcoming novel  Sing, Unburied, Sing. The officer is young, young as me, young as Michael. He’s skinny and his hat seems too big for him, and when he… by Jesmyn Ward | Sep, 2017

Take Sturgill Simpson. Sturgill (can I call you Sturgill?) is a Kentucky rascal, born in the heart of the Appalachian mountains. Jackson—population around twenty-one hundred. He comes from a family of coal miners. He was in the Navy. He worked… by Leesa Cross-Smith | Nov, 2017

A girl was singing in one of the houses we passed. The sound rose up on the wind and out of the brownstone and out of the window down to us on the air. This girl behind that fluttering window… by Crystal Wilkinson | Nov, 2017

A Kentucky Music Issue web-exclusive liner note.   For some twenty-five years I’ve maintained an obsession with four specific seconds in all the history of rock & roll. Four seconds of a single guitar ripping a hot lick, the opening salvo to a… by Kirby Gann | Dec, 2017

In 1966, Loretta Lynn was anything but little. She had already released eight solo studio albums. Just one year later she would be the first woman in country music to achieve a certified gold album for Don’t Come Home a Drinkin’… by Marianne Worthington | Nov, 2017

It was 1995, the year Joan Osborne’s “One of Us” was released, the end of my eighth-grade year, in rural Kentucky where homophobia was—and continues to be—rampant. My secret boyfriend and I—the one I had kissed in darkened classrooms after… by Jason Howard | Nov, 2017

Interviews with Dwight—at least mine—always occurred on Dwight Time and largely in Dwight Space. About two hours before that first phone interview, Dwight called to apologize and say his day was crazy. Could we reschedule? I said sure, we set… by Ronni Lundy | Nov, 2017

The Old Regular Baptists and the joyful sound. The Old Regulars sing loud. “You can’t whisper it, it needs to have zip,” one told me. Another: “If you can’t shout down here, what are you gonna do when you get to… by David Ramsey | Nov, 2017

Notes on the songs from our 19th Southern Music Issue CD featuring Kentucky. This faculty, to be attuned to one’s surroundings and the ways in which they’re unique, to be rooted in the local, to be of a certain place—no matter if… by Oxford American | Nov, 2017

Bertie Pearson

Bertie Pearson is an Episcopal priest and photographer living in Austin, Texas. His portraits have appeared in Bullett, Vice, NYLON Guys, the Huffington Post, and elsewhere. Bertie serves as rector of Grace Episcopal Church in Georgetown, Texas, teaches church history to seminarians, and plays drums from time to time in the Los Angeles-based daytime disco band Poolside. More of Bertie’s work can be seen at bertiepearson.com or on Instagram @Bertiep.

October 10, 2017

One month after Hurricane Harvey, Episcopal Priest Bertie Pearson visited Aransas Pass, Texas, to document the disaster. He found a city in ruins, as if it “had been lifted up and shaken, sending homes, boats, and trees flying in all directions.”