We both loved Gary Stewart, and we both loved Grace. My wife Grace’s father was a big man. He wasn’t much more than six feet tall, but I think folks thought of him as taller because he carried himself large.… by David Ramsey | Sep, 2017

A story by Jesmyn Ward, the third and final excerpt from her forthcoming novel  Sing, Unburied, Sing. The officer is young, young as me, young as Michael. He’s skinny and his hat seems too big for him, and when he… by Jesmyn Ward | Sep, 2017

Sketches of Tennessee. From the time I was about ten years old, my mother and I put in our time by visiting with Irma for an hour or two every day. We’d bring her the Enquirer and Star and try to cheer her up… by Danielle Chapman | Sep, 2017

It was around this time that my father and his friends started a gang. They were all blanquitos from Condado: Yasser Benítez, Claudio LaRocca, Tommy Del Valle, and Juanma Thon. On the night their gang became official, they downed a… by Kevin A. González | Sep, 2017

Traces of Cormac McCarthy’s Knoxville.  McCarthy’s books came to me as transformative things so often do: several-times borrowed. It was during my junior year of college, my first semester back home in Colorado after a failed track scholarship out of state.… by Noah Gallagher Shannon | Sep, 2017

An installment in Chris Offutt’s Omnivore column, Cooking with Chris.  Nothing is as powerful as the extraordinary jolt of a teenager’s first love. It’s like seeing the world after a double-cataract surgery. Life is suddenly exquisite. Each leaf becomes the bearer… by Chris Offutt | Sep, 2017

A poem from the Fall 2017 issue. Always walked this close between the rows.Always smoked so many seeds.You will find yourself dragging              a live rabbit by one foot, the other kicking. by Jenny Browne | Sep, 2017

A kind of connective tissue linked my country’s most African city with an African moment that seemed stunningly American. The pallbearers danced, the band played, the mourners walked and swayed alongside while men and women pressed yet more naira bills… by Osayi Endolyn | Sep, 2017

A poem from the Fall 2017 issue. As a boy I pleaded with the river to teach me its long and winding vowels. In exchange I taught it swear words, how to play games. by Jacob Shores-Argüello | Sep, 2017

 A Letter from the Editor, Fall 2017. It is an ongoing project: reckoning with our past, making the South a better place to live and dream and learn and work. by Eliza Borné | Sep, 2017

Hunting season swept through my hometown with the crisp northern winds that sent leaves and trash dancing down King Street, near the Old Spanish Trail. In late fall, the town’s annual hunters’ gathering—Buck Fever—packed the county fairgrounds with guns and… by Gabriel Daniel Solis | Sep, 2017

Editor's Note: We are saddened to learn of the death of rock & roll legend Tom Petty on Monday, October 2, 2017. He was sixty-six. Revisit Holly George-Warren’s interview with Petty from our Fourth Annual Southern Music issue in 2000. Since… by Holly George-Warren | Jul, 2000

Christopher Sims

Christopher Sims has an undergraduate degree in history from Duke University, a master's degree in visual communication from the University of North Carolina at Chapel Hill, and an MFA in studio art from the Maryland Institute College of Art. He is the undergraduate education director and a lecturing fellow at the Center for Documentary Studies at Duke University. His exhibitions include shows at the Houston Center for Photography, the Light Factory, the Southeastern Center for Contemporary Art, and the Halsey Institute of Contemporary Art. He was selected as the recipient of the Baum Award for Emerging American Photographers in 2010, named one of the “New Superstars of Southern Art” by the Oxford American in 2012, and was awarded the Arte Laguna Prize for Photographic Art in 2015. Most recently, he received a 2017 Graham Foundation Publication Grant. For more information about Christopher Sims, visit his website.

September 07, 2017

An installment in our weekly series, The By and By.

Since 2001 Christopher Sims has been “investigating, with a profound and insistent curiosity, American military ventures from the perspective of the home front.” For ten years Sims photographed staged Iraqi and Afghan villages on the training grounds of U.S. Army bases deep in the forests of North Carolina and Louisiana.