An installment in Chris Offutt’s Omnivore column, Cooking with Chris.  Magic and cooking are based on the same principles of transformation, cutting and restoring, vanishing and reappearing. A blue handkerchief suddenly becomes red! A woman sawn in half returns intact! A… by Chris Offutt | Jun, 2017

A story from our 2001 Southern Music issue. I first heard Charley Patton thirty years ago, on a two-LP compilation called The Story of the Blues, which I won in a contest. My adolescent ear was immediately sucked in by… by Tom Piazza | Jul, 2001

 A Letter from the Editor, Summer 2017. For the second year in a row, our summer issue contains a special section of Southern Journeys. In typical Oxford American fashion, these five journeys aren’t your average trip itineraries or travel guides, though we… by Eliza Borné | Jun, 2017

A Southern Journey from the Summer 2017 issue.  The grass was up to my waist as I crouched down on the side of Interstate 20 a few miles outside of Van. Insects buzzed around my head, and I tried not to… by Joel Finsel | Jun, 2017

A short story from the Summer 2017 issue. It was said about the blind woman who ran the concession stand in the lobby of the county courthouse that she could tell by touch the difference between a one- and a… by Michael Parker | Jun, 2017

We wore cowboy boots and Wrangler jeans hitched around our skinny waists with braided belts and rodeo belt buckles and fought with other aspiring tough boys who called themselves cholos. No doubt I was getting a reputation around town as… by Roger D. Hodge | Jun, 2017

A short story from our Summer 2017 issue.  I opened my eyes and looked at the patient. Her eyes were open, too, wide and lively against the tautness of her face. They were the same eyes of my aunt Lydia… by Gothataone Moeng | Jun, 2017

Photographs from the Summer 2017 issue by Johanne Rahaman with an introduction by Sarah Stacke. Built in the early 1940s, Blodgett Homes is a 654-unit public housing complex. According to Cherlise, who was born in 1982, the community there used… by Sarah Stacke and Johanne Rahaman | Jun, 2017

A classic John T. Edge column from the OA archive.  One of the only places the Allman Brothers really felt at home was at Mama Louise Hudson’s soul food restaurant in Macon, Georgia. by John T. Edge | Jun, 2017

Jessica Ingram

Jessica Ingram is a conceptual artist who uses photography, video, and audio to explore the ethos of communities and the power of belonging. Photographs from this work are included in Southern Accent: Seeking the American South in Contemporary Art, co-organized by the Nasher Museum of Art at Duke University and the Speed Museum in Louisville, Kentucky.

July 07, 2017

Jessica Ingram’s Road Through Midnight: A Civil Rights Memorial explores forgotten sites of the civil rights era. The project “is the result of a deep questioning of American racial history and ideas of collective memory, of how we mark historic sites—or don’t mark them.”