A story by Jesmyn Ward, the third and final excerpt from her forthcoming novel  Sing, Unburied, Sing. The officer is young, young as me, young as Michael. He’s skinny and his hat seems too big for him, and when he… by Jesmyn Ward | Sep, 2017

Take Sturgill Simpson. Sturgill (can I call you Sturgill?) is a Kentucky rascal, born in the heart of the Appalachian mountains. Jackson—population around twenty-one hundred. He comes from a family of coal miners. He was in the Navy. He worked… by Leesa Cross-Smith | Nov, 2017

A girl was singing in one of the houses we passed. The sound rose up on the wind and out of the brownstone and out of the window down to us on the air. This girl behind that fluttering window… by Crystal Wilkinson | Nov, 2017

A Kentucky Music Issue web-exclusive liner note.   For some twenty-five years I’ve maintained an obsession with four specific seconds in all the history of rock & roll. Four seconds of a single guitar ripping a hot lick, the opening salvo to a… by Kirby Gann | Dec, 2017

In 1966, Loretta Lynn was anything but little. She had already released eight solo studio albums. Just one year later she would be the first woman in country music to achieve a certified gold album for Don’t Come Home a Drinkin’… by Marianne Worthington | Nov, 2017

It was 1995, the year Joan Osborne’s “One of Us” was released, the end of my eighth-grade year, in rural Kentucky where homophobia was—and continues to be—rampant. My secret boyfriend and I—the one I had kissed in darkened classrooms after… by Jason Howard | Nov, 2017

Interviews with Dwight—at least mine—always occurred on Dwight Time and largely in Dwight Space. About two hours before that first phone interview, Dwight called to apologize and say his day was crazy. Could we reschedule? I said sure, we set… by Ronni Lundy | Nov, 2017

The Old Regular Baptists and the joyful sound. The Old Regulars sing loud. “You can’t whisper it, it needs to have zip,” one told me. Another: “If you can’t shout down here, what are you gonna do when you get to… by David Ramsey | Nov, 2017

Notes on the songs from our 19th Southern Music Issue CD featuring Kentucky. This faculty, to be attuned to one’s surroundings and the ways in which they’re unique, to be rooted in the local, to be of a certain place—no matter if… by Oxford American | Nov, 2017

Daphne A. Brooks

Daphne A. Brooks is a professor at Yale University. She is the author of Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910 and Jeff Buckley’s Grace. She is at work on Subterranean Blues: Black Women Sound Modernity for Harvard University Press.

February 07, 2017

Think of these women, coming out of the South and up to Milwaukee, arriving finally in tiny, all-white Grafton by either streetcar or automobile and feeling their way in a studio for the first time. As they fought the forces of shell-shocked alienation, disorientation, and possibly stage fright, the musical conversations between these two gifted artists created other worlds for them to fleetingly inhabit. Their duet yielded a recorded history of blueswomen’s subversive interstitial lives forged outside of both the jail cell and the sphere of domestic abuse, conditions which hovered close to each of them.