Noah Gallagher Shannon grew up in northern Colorado and is completing an MFA at Columbia University. His work has appeared in the New York Times Magazine, the Paris Review, the Los Angeles Review of Books, Runner’s World, and elsewhere.
Traces of Cormac McCarthy’s Knoxville.
McCarthy’s books came to me as transformative things so often do: several-times borrowed. It was during my junior year of college, my first semester back home in Colorado after a failed track scholarship out of state. Up till then I’d read very little—I was concentrating on my running. But with that protective apparatus newly scrapped, I’d become freshly aware of a hulking nothingness where my intellectual interests should have been, and I set about catching up.
“My father was a coal miner for thirty-five years and died of black lung,” Howard told me, while resting from the heat and overhead brushstrokes of the outdoor mural he’s working on for a local food pantry. “When I [told my father] I wanted to study art—well, that wasn’t well received.”