Wendy Brenner’s classic 2005 profile of snake enthusiast Dean Ripa, who died Saturday. By now I’ve grown accustomed (and rather devoted) to Dean’s rhetorical style—outrageous overstatement, subsequent qualification—but I think I recognize something else, something authentic here: a certain strain of introverted misanthropy… by Wendy Brenner | May, 2017

In his project I Need Some Rest, Florida photographer Carson Gilliland seeks the “clues locked in a profound stillness of primeval night bathed in sodium vapor glow and humid sky.” by Carson Gilliland | May, 2017

The artist works in a style he calls “romantic realism.” In his paintings people are twenty pounds thinner and twenty years younger, often surrounded by heavenly light, riding exotic animals, or framed by mountain ranges. This willingness to flout the… by Nicole Pasulka | May, 2017

Photographs from This Land: An American Portrait. Jack Spencer spent thirteen years working on the project and traveled more than eighty thousand miles across all forty-eight contiguous states looking for scenes and moments that he says are “an expression of the… by Jack Spencer | May, 2017

The introduction to a previously unpublished poem by Margaret Walker.  Nearly twenty years after her death and seventy-five years after the publication of For My People, this magazine sent me a previously unpublished poem of Walker’s. The poem, “An Elegiac Valedictory,” is… by Kiese Laymon | May, 2017

A previously unpublished poem by Margaret Walker.  For a dozen wonderful writers:Goodbye to all you girls and guyswho walked this weary way who climbed these hillsand walked these milesthis rocky wooded chase.A dozen wonderful writers by Margaret Walker | May, 2017

My mother was an instinctive cook. Words and directions did not hold much for her. She was a keen observer. She learned to cook from watching her aunts; her grandmother, Maw; her own mother. She loved recipes. Clipped them from the… by Ronni Lundy | Aug, 2016

Virginia Hanusik

Virginia Hanusik is an artist who explores the connections between architecture, landscape, and identity. Her projects draw influence from coastal communities around the world, including New Orleans, the city she has called home for the past several years. She holds a BA in Urban Studies from Bard College and has been supported by the Graham Foundation and the Mellon Foundation for her work around architecture in Louisiana. View more of her work on her website and follow her on Instagram @ginnyhanusik.

May 22, 2017

New Orleans is known as the impossible and inevitable city, due to its complex geography that tests the boundaries of human engineering. In her latest project, Virginia Hanusik examines “how a distinct sense of place is perpetuated through the built environment,” in a city whose uniqueness and aesthetic beauty is tied to the uncertainty of rising waters outside of the levee walls.

June 13, 2016

In her ongoing project Backwater, Virginia Hanusik examines how coastal communities—specifically in Southeast Louisiana—respond and adapt to land loss on what the artist calls “the frontline of climate change.”