He was a modernist scholar, one of the earliest, and for decades a leading translator of ancient Greek poetry; but he also wrote with authority on the social history of the pear, Mother Ann Lee and Shaker aesthetics, Dogon cosmogony,… by Brian Blanchfield | Mar, 2017

A story from the Spring 2016 issue, excerpted from The Sport of Kings. Up city, up boomers, up commerce, uphill the city is built. All the hands of Bucktown come to build it. by C. E. Morgan | May, 2016

An installment in our weekly series, The By and By. From the Center for Documentary Studies at Duke University: To introduce our first story for The By and By, a writing-and-audio narrative around the new book The Blood of Emmett Till, we… by Timothy B. Tyson | Apr, 2017

Here are the facts: In the first Kentucky Derby run in 1875, thirteen of the fifteen jockeys were black, including the winner, Oliver Lewis on Aristides. Black jockeys won fifteen of the first twenty-eight derbies. Isaac Murphy, whose winnings built… by Linda B. Blackford | Apr, 2017

But those are facts, and “facts” are exactly what I don’t want to know, inasmuch as they will inevitably get in the way of the little fictions I’ve enjoyed telling myself during my walks for most of the last twenty-five… by Ed McClanahan | Apr, 2017

Micro-memoirs from our Spring 2017 issue. My mother seined the waters of our childhoods. She gathered everything into the nets of her fingers: schoolwork, artwork, mementos. My mother did not recycle. Nor did she dispose. She was indisposed to it.… by Beth Ann Fennelly | Apr, 2017

My mother was an instinctive cook. Words and directions did not hold much for her. She was a keen observer. She learned to cook from watching her aunts; her grandmother, Maw; her own mother. She loved recipes. Clipped them from the… by Ronni Lundy | Aug, 2016

A poem from the Spring 2016 issue. “Here he is, the Amazing Blind Tom . . . / he’s pitched in darkness, exalted through sound / he’s mastered sharp and flat of piano:” by Tyehimba Jess | Apr, 2016

Once opened, the book immediately communicates to its reader what she needs to know: Olio is unlike any other book of poetry you have held. by Kaveh Akbar | Apr, 2016

A poem from the 18th Southern Music Issue: Visions of the Blues. Some folk think the blues Is a song or a way Of singing But the blues is History by Nikki Giovanni | Mar, 2017

M. Laine Wyatt

Laine Wyatt is an Associate Professor with the University of Central Florida, where she has taught art/photography since 2000. She took an undergraduate degree in studio art/photography from the University of Florida, did postgraduate work at San Francisco State University, and received her MFA in studio art/photography from Florida State University. From the Florida Division of Cultural Affairs, Wyatt was awarded an Individual Artist Fellowship in 1997-98, an Artist Enhancement Grant in 2006, 2007, and 2008, and she was a Merit Artist in 2011. Wyatt has exhibited her work in more than 130 exhibitions across the country and abroad, and she has won a number of awards for individual works.
May 09, 2016

M. Laine Wyatt’s project Interiors is about public spaces and their “sort of theatre of the ordinary.” Wyatt seeks a “Pompeian quality” by photographing these places in the absence of human subjects.