A poem from our spring 2015 issue. It’s Derby Day. And it’s been 30 years since 1984 when I stood in the grandstand at Churchill Downs after betting my last $20 on Swale that horse I groomed and watched as… by Michael Klein | Apr, 2015

My scream moves through a body that has been in working order for more than thirty-four years. It is a five-foot-six-and-one-half-inch female body, around 140 pounds, and its bone structure appears larger than those of most women I see in… by Elena Passarello | Apr, 2016

Parts of the nation would succumb to despair as entrenched racial prejudice was mined to soothe the emotional needs of isolated, angry people. But those willing to resist the chatter, sit in silence, and sink into the pain found spiritual… by Michelle García | Apr, 2017

An installment in our weekly series, The By and By.  One of the paradoxes of George Ellis’s career, in hindsight, is that alongside his run of cheap exploitation films, he maintained a parallel career as Atlanta’s first great arthouse film… by Will Stephenson | Apr, 2017

My mother was an instinctive cook. Words and directions did not hold much for her. She was a keen observer. She learned to cook from watching her aunts; her grandmother, Maw; her own mother. She loved recipes. Clipped them from the… by Ronni Lundy | Aug, 2016

AnnieLaurie Erickson

AnnieLaurie Erickson is an artist and educator residing in New Orleans, Louisiana, where she is the Ellsworth Woodward Junior Professor in Studio Art and the Director of Photography at Tulane University. Erickson has recently exhibited her work at Higher Pictures, the Los Angeles Center for Digital Art, Newspace Center for Photography, the Ogden Museum of Southern Art, and the Contemporary Art Center New Orleans, among other venues.
April 11, 2016

The series Slow Light by AnnieLaurie Erickson documents oil refineries up and down the Mississippi River. “When I first moved to Louisiana,” Erickson says of the project,” I was struck by the appearance of oil refineries at night, which looked like strange forbidden cities.”