A poem from our spring 2015 issue. It’s Derby Day. And it’s been 30 years since 1984 when I stood in the grandstand at Churchill Downs after betting my last $20 on Swale that horse I groomed and watched as… by Michael Klein | Apr, 2015

My scream moves through a body that has been in working order for more than thirty-four years. It is a five-foot-six-and-one-half-inch female body, around 140 pounds, and its bone structure appears larger than those of most women I see in… by Elena Passarello | Apr, 2016

Parts of the nation would succumb to despair as entrenched racial prejudice was mined to soothe the emotional needs of isolated, angry people. But those willing to resist the chatter, sit in silence, and sink into the pain found spiritual… by Michelle García | Apr, 2017

An installment in our weekly series, The By and By.  One of the paradoxes of George Ellis’s career, in hindsight, is that alongside his run of cheap exploitation films, he maintained a parallel career as Atlanta’s first great arthouse film… by Will Stephenson | Apr, 2017

My mother was an instinctive cook. Words and directions did not hold much for her. She was a keen observer. She learned to cook from watching her aunts; her grandmother, Maw; her own mother. She loved recipes. Clipped them from the… by Ronni Lundy | Aug, 2016

Michael Mergen

Michael Mergen received an MFA in photography from the Rhode Island School of Design in 2011. His work has been featured in the New York Times Magazine, Harper’s, Mother Jones, and Once magazines. He has exhibited nationally and internationally, and his work is held in several public and private collections, including the University of Maine Museum of Art, the Center for Photography at Woodstock, the Longwood Center for the Visual Arts, Urban Outfitters, Inc., and Center for Emerging Visual Artists. He teaches photography at Longwood University in Farmville, Virginia, where he lives with his wife and daughter.
April 04, 2016

At a moment when national dialogue about the Confederate Flag is prevalent, Michael Mergen’s piece Confederate Heroes, Confederate Dead considers how the South—especially Virginia—memorializes the Confederacy.