A poem from our spring 2015 issue. It’s Derby Day. And it’s been 30 years since 1984 when I stood in the grandstand at Churchill Downs after betting my last $20 on Swale that horse I groomed and watched as… by Michael Klein | Apr, 2015

My scream moves through a body that has been in working order for more than thirty-four years. It is a five-foot-six-and-one-half-inch female body, around 140 pounds, and its bone structure appears larger than those of most women I see in… by Elena Passarello | Apr, 2016

Parts of the nation would succumb to despair as entrenched racial prejudice was mined to soothe the emotional needs of isolated, angry people. But those willing to resist the chatter, sit in silence, and sink into the pain found spiritual… by Michelle García | Apr, 2017

An installment in our weekly series, The By and By.  One of the paradoxes of George Ellis’s career, in hindsight, is that alongside his run of cheap exploitation films, he maintained a parallel career as Atlanta’s first great arthouse film… by Will Stephenson | Apr, 2017

My mother was an instinctive cook. Words and directions did not hold much for her. She was a keen observer. She learned to cook from watching her aunts; her grandmother, Maw; her own mother. She loved recipes. Clipped them from the… by Ronni Lundy | Aug, 2016

March 23, 2017

A poem from the 18th Southern Music Issue: Visions of the Blues.  

 
I blush quicker than a school of blue jack mackerel
arranging itself into an orb of dazzle to avoid
 
nips and gulps from the dolphins whove been silently
trailing them, waiting for them to relax.

 

March 01, 2017

Travels with Robert Palmer: photographs from the Delta. 

What became clear as we began our journey together, searching for the roots of the blues, was that the music is part of the Delta landscape and the people we encountered were carrying on an important tradition that spanned many decades. My goal was to visually depict their lives and their love of the musical tradition in which they lived.

February 13, 2017

Through capturing the details of the land and the way people live, Missy Prince attempts to give form to the tender darkness she feels in the Mississippi air.

January 04, 2017

Black Keys frontman Dan Auerbach on Junior Kimbrough’s influence.

“It’s proven most of the time to be true: some of the music that I love the most, that I want to live with forever, are records I didn’t quite get at first, and that was definitely true for Junior. I didn’t understand it at first. It took a few listens. I had to come back to it a couple of times before I got it. And once I got it nothing was ever the same.”

December 09, 2016

The exhibition is a sort of Faulknerian stream-of-consciousness narrative, moving seamlessly from subject to subject. Tattered orange and red dishtowels on a clothesline, each piece of cloth shot through with holes; a line of railway freight cars shrouded in the evening light of the Mississippi Delta; thin shadows cast on brown cinderblocks below a periwinkle-blue sky. The bohemian and gothic Souths collide in Eggleston’s photographs—his bright colors and distinct perspectives imbue rusting signs and aging buildings with a spiritual, emotional darkness that speaks to a decaying world of an older South fading into suburbia and industrial development.

December 14, 2016

The most familiar Mississippi blues story starts in the Delta, where African-rooted field hollers evolved into haunted guitar masterpieces that traveled to Chicago and became the electric core of rock & roll. But there are lots of other stories, and this one is blue in another way. It is about the songs of the lowdown characters who ruled the lumber and levee camps, the honky-tonks and jukes, from the Gulf Coast to Memphis. And about the dozens, which has carried their tradition into the twenty-first century.

April 01, 2014

A selection of photographs by Maude Schuyler Clay documenting the stray dogs of the Mississippi Delta.

October 18, 2016

Constructed in 1904, the Mississippi State Penitentiary at Parchman covers 20,000 acres, forty-six square miles, in the heart of the Mississippi Delta. In 1994, Kim Rushing began photographing the inmates.

September 08, 2016

Hebrews 12:1 reads: “Therefore, since we are surrounded by so great a cloud of witnesses, let us throw off everything that hinders and the sin that so easily entangles.” Coleman's project A Cloud of Witness, asks how much pain has this land born witness to? What scars—and what joys—do these buildings still hold?

August 15, 2016

In spite of his genius and success, Ed Townsend hit a roadblock in the late sixties, when his studio in Englewood, New Jersey, went up in flames. He had just offered it as a refuge for the Isley Brothers to record “It’s Your Thing” in violation of their contract with Motown. Nearly forty years old, he was watching his life’s work burn when a man named Earl Lucas appeared.

Page 1 of 5