We both loved Gary Stewart, and we both loved Grace. My wife Grace’s father was a big man. He wasn’t much more than six feet tall, but I think folks thought of him as taller because he carried himself large.… by David Ramsey | Sep, 2017

A story by Jesmyn Ward, the third and final excerpt from her forthcoming novel  Sing, Unburied, Sing. The officer is young, young as me, young as Michael. He’s skinny and his hat seems too big for him, and when he… by Jesmyn Ward | Sep, 2017

Sketches of Tennessee. From the time I was about ten years old, my mother and I put in our time by visiting with Irma for an hour or two every day. We’d bring her the Enquirer and Star and try to cheer her up… by Danielle Chapman | Sep, 2017

It was around this time that my father and his friends started a gang. They were all blanquitos from Condado: Yasser Benítez, Claudio LaRocca, Tommy Del Valle, and Juanma Thon. On the night their gang became official, they downed a… by Kevin A. González | Sep, 2017

Traces of Cormac McCarthy’s Knoxville.  McCarthy’s books came to me as transformative things so often do: several-times borrowed. It was during my junior year of college, my first semester back home in Colorado after a failed track scholarship out of state.… by Noah Gallagher Shannon | Sep, 2017

An installment in Chris Offutt’s Omnivore column, Cooking with Chris.  Nothing is as powerful as the extraordinary jolt of a teenager’s first love. It’s like seeing the world after a double-cataract surgery. Life is suddenly exquisite. Each leaf becomes the bearer… by Chris Offutt | Sep, 2017

A poem from the Fall 2017 issue. Always walked this close between the rows.Always smoked so many seeds.You will find yourself dragging              a live rabbit by one foot, the other kicking. by Jenny Browne | Sep, 2017

A kind of connective tissue linked my country’s most African city with an African moment that seemed stunningly American. The pallbearers danced, the band played, the mourners walked and swayed alongside while men and women pressed yet more naira bills… by Osayi Endolyn | Sep, 2017

A poem from the Fall 2017 issue. As a boy I pleaded with the river to teach me its long and winding vowels. In exchange I taught it swear words, how to play games. by Jacob Shores-Argüello | Sep, 2017

 A Letter from the Editor, Fall 2017. It is an ongoing project: reckoning with our past, making the South a better place to live and dream and learn and work. by Eliza Borné | Sep, 2017

Hunting season swept through my hometown with the crisp northern winds that sent leaves and trash dancing down King Street, near the Old Spanish Trail. In late fall, the town’s annual hunters’ gathering—Buck Fever—packed the county fairgrounds with guns and… by Gabriel Daniel Solis | Sep, 2017

Editor's Note: We are saddened to learn of the death of rock & roll legend Tom Petty on Monday, October 2, 2017. He was sixty-six. Revisit Holly George-Warren’s interview with Petty from our Fourth Annual Southern Music issue in 2000. Since… by Holly George-Warren | Jul, 2000

November 09, 2017

A Kentucky Music Issue web-exclusive liner note. 

Raised in Sandy Hook, Kentucky, Whitley grew up admiring country greats Lefty Frizzell and George Jones, whose vocal styles he imitated as a young musician. Whitley’s uncanny talent for mimicry is something of a legend around Nashville—he could, upon request, conjure with eerie precision the voices of Lester Flatt, Carter Stanley, and numerous others. He was, apparently, a man inhabited by an indwelling of spirits.

September 03, 2012
During the colicky first weeks following the birth of our son, Beckett, my wife and I took turns rising in the night to get him back to sleep. Without recourse to breast milk or the pacifying whispers Emily floated into his burning little ears, I often resorted to dancing him around the living room of our termite-infested rental on Capitol Hill, all the while singing whatever lyrics I could call to mind.

For whatever reason, the one song that presented itself wholesale was “I’m No Stranger to the Rain,” the cantering Sonny Curtis number that Keith Whitley took to the top of the country music charts in 1989.