There are no great books about the Everly Brothers. No classic documentary films. Despite their influence on American pop music, which would be difficult to overstate, or the great, gaping beauty and sadness of their music, we are left with… by Will Stephenson | Nov, 2017

A Points South essay from the Kentucky Music Issue.  The station’s first transmission was of the revered union ballad singer Nimrod Workman offering a lyrical good-morning salute to “all of my people”—and WMMT 88.7 FM has been an inclusive and… by Jeffrey A. Keith | Nov, 2017

A Points South essay from the Kentucky Music Issue.  The last time I heard Jimmy Raney play was at Bellarmine College in Louisville. To know that a master like Raney had gone deaf was to know that a Rembrandt was… by J.D. Daniels | Nov, 2017

I used to imagine the Holy Ghost as a fog that slept in the rafters of our church. I thought our music, singing, and shouting woke the Spirit. When It looked down and saw us, It was reminded of how lonely… by Ashley Blooms | Nov, 2017

An interview with Les McCann from the Kentucky Music Issue.  All through high school the band teacher and I were very good friends. He received tickets to all the bands and brought me to concerts. I was in perfect heaven. I never… by Harmony Holiday | Nov, 2017

Track 5 – “Rainbows” by James Lindsey FEAT. Cicily Bullard When Lindsey raps “I’m talking rainbows,” I think he must be talking black joy. I think he must be talking the kind of rainbow you see in the shimmer-swirl of… by Minda Honey | Nov, 2017

Track 11 – “I’m Going to Organize, Baby Mine” by Sarah Ogan Gunning In the Eastern Kentucky coalfields, unionism—or its lack—was a creed people held and defended as fiercely as those of the region’s charismatic religions. And the music Sarah… by Elyssa East | Nov, 2017

Everybody wants to be Southern but don’t nobody want to be Southern, too. To enjoy the culture, to have gentrified ham hocks, but not to deal with ham hocks’ relationship to slavery or slavery’s relationship to the present and future.… by Zandria F. Robinson | Nov, 2017

Notes on the songs from our 19th Southern Music Issue CD featuring Kentucky. This faculty, to be attuned to one’s surroundings and the ways in which they’re unique, to be rooted in the local, to be of a certain place—no matter if… by Oxford American | Nov, 2017

November 21, 2017

"Most blacks don’t like country music,” Steve Taylor told the AP in 1986 for a story headlined COWBOY STEVE PLAYS RECORDS FOR NO AUDIENCE, “but I’ve been country all my life.”

June 17, 2016

This week the editors are looking ahead at the 50th anniversary of Charles Portis's first novel, Norwood.

June 17, 2016

An excerpt from a play by Charles Portis, with an introduction by Jay Jennings. 

MR. PALFREY: Oh, I know what I want. I just don’t see it here. What I want is a fat yearling coon roasted with some sweet potatoes. What I want, young lady, is some salt-cured ham that’s been hanging in the smokehouse for about two years, along with five or six big cathead biscuits, and some country butter and ribbon cane surrup. But I can’t get that, can I?

KATE: You can’t get it here.

October 26, 2015

We are pleased to announce that Eliza Borné is the new editor of the Oxford American, succeeding Roger D. Hodge, who left the magazine in June.

June 04, 2015

Among my mother’s effects that I found after her death was a datebook for the year 1944: her diary. An erratic diary keeper myself, I noted the neatness of her initial entry—even lines, full loops in cursive letters, thoughtful punctuation—a common enough trait at the start of a writerly journey, all optimism and hope and clarity, before the messiness of life intrudes.

April 08, 2014
All the main characters in “literature” were from London and New York and St. Petersburg, but the book with the character from Little Rock was the funniest book you’d ever read, including your previous funniest book, Lucky Jim. And because Little Rock is little, your parents lived in the same apartment complex as this writer, and so you had his address.