Take Sturgill Simpson. Sturgill (can I call you Sturgill?) is a Kentucky rascal, born in the heart of the Appalachian mountains. Jackson—population around twenty-one hundred. He comes from a family of coal miners. He was in the Navy. He worked… by Leesa Cross-Smith | Nov, 2017

An interview with Les McCann from the Kentucky Music Issue.  All through high school the band teacher and I were very good friends. He received tickets to all the bands and brought me to concerts. I was in perfect heaven. I never… by Harmony Holiday | Nov, 2017

In 1966, Loretta Lynn was anything but little. She had already released eight solo studio albums. Just one year later she would be the first woman in country music to achieve a certified gold album for Don’t Come Home a Drinkin’… by Marianne Worthington | Nov, 2017

Bounding from one circle of attendees to another, dispensing heartfelt hugs and introducing himself and his Danish boyfriend to newcomers with the comportment of a Southern gentleman, was my friend Brandon Godman, a bearded, bearish hipster type whose jolly, grandfatherly… by Jewly Hight | Nov, 2017

Three poems from our Kentucky Music Issue.  Until the nameless traveler learns in terror His lidless eyes are open targets— Where sudden night flings in her quiet spear.    by Thomas Merton | Nov, 2017

A few seconds in, there came this sound. It filled the song and then it filled the room I was listening in. What was that? Like a fiercely shaken box of tacks. Like wind rattling dry leaves on a tree.… by John Jeremiah Sullivan | Nov, 2017

We celebrated our twenty-fifth anniversary year by doing what we’ve always done: publish the groundbreaking fiction—three excerpts from Jesmyn Ward’s National Book Award–winning novel, Sing, Unburied, Sing—essays, nonfiction, and poetry our readers have come to expect. Revisit or catch up on… by Oxford American | Dec, 2017

It was 1995, the year Joan Osborne’s “One of Us” was released, the end of my eighth-grade year, in rural Kentucky where homophobia was—and continues to be—rampant. My secret boyfriend and I—the one I had kissed in darkened classrooms after… by Jason Howard | Nov, 2017

The Old Regular Baptists and the joyful sound. The Old Regulars sing loud. “You can’t whisper it, it needs to have zip,” one told me. Another: “If you can’t shout down here, what are you gonna do when you get to… by David Ramsey | Nov, 2017

Notes on the songs from our 19th Southern Music Issue CD featuring Kentucky. This faculty, to be attuned to one’s surroundings and the ways in which they’re unique, to be rooted in the local, to be of a certain place—no matter if… by Oxford American | Nov, 2017

May 17, 2016

“I should have put a stop to that craftsman shit a long time ago,” Guy Clark says. “It makes my skin crawl. It’s nobody’s fault but mine because I didn’t step up and say, ‘No, that’s not right.’ I consider what I do poetry. I don’t need to prove I’m a poet in every line and I’m not afraid to speak plainly in my songs. Not everything needs to be a metaphor and I don’t need lofty words. But it is my obligation as a poet to be faithful to the verse. I write what I know. I write what I see.”

April 01, 2013

I first wrote Charlie Engle a letter because I was fascinated by his life. It gave me a sense of vertigo to know that when we’d met, in the hills of Tennessee, he’d had no idea what was about to happen, how everything was going to change. I wondered what incarceration was like for him.

January 13, 2015

Mess with Willie Nelson and the next thing you'll see is the wrong end of a gun held by the devil himself, Robert Paul English.

September 16, 2014

A short story by Merritt Tierce.

December 01, 2014

We are saddened to learn of the death of legendary Texas music writer Margaret Moser on Friday, August 25. In this feature essay for the OA’s 2014 Texas Music Issue, written just after her cancer diagnosis, Moser shares vivid stories from her pioneering career: 

“A life writing about music wasn’t part of the plan, but then I’d had no plan. I had dropped out of high school, didn’t attend college, had no special training or talent for much, other than a knack for making a place for myself where places didn’t exist. I’ve long joked that I got in through the back door, so whenever I am let in through the front door, I run to the back to see who I can let in.”

September 21, 2014

James Seay explores the geography of Panola County, Mississppi, where his grandfather would often go hunting—a land known as the Tallahachie River bottomlands. Seay realizes in writing about this land that his family had hunted in the same lands where Faulkner mined "scenes and features" for his famed Yoknapatawpha.

November 05, 2014

In the summer of 1976, Patsy Sims traveled to Mississippi to interview Preacher Edgar Ray Killen about his role—then only suspected—as the organizer of the killing party of three civil rights workers (Schwerner, Chaney, and Goodman). She believed him to be a leader in the White Knights of Mississippi, an especially virulent chapter of the Ku Klux Klan. For the interview they sat alone in a motel room in Meridian, Mississippi, where she asked him, point blank, if he’d ever killed anyone.

September 07, 2014

I lay my fingertip there, just inside the socket, where some of the bone is chipped away: it was pecked out, by the beaks of vultures. These are the markings the huge black birds made when they consumed her eyes, with the permission of her family.

October 02, 2014

Louisiana's coastline is shrinking, rapidly. As Anne Gisleson reports, "the United States Geological Survey claims oil and gas companies are responsible for roughly a third of the state’s wetlands degradation." To try and claim reparations for this destruction, writer John Barry recently led the people of Louisiana through a lawsuit that aimed to make these companies "comply with the contracts and permits they themselves signed." This is John Barry's story—his work to save Louisiana.

 

August 25, 2014

A history—in two parts—of Beulah, the “almost heaven” of West Virginia that the people there call home. It includes a criticism of the work of Mary Lee Settle and a series of interviews with the women of Cedar Grove.