There are no great books about the Everly Brothers. No classic documentary films. Despite their influence on American pop music, which would be difficult to overstate, or the great, gaping beauty and sadness of their music, we are left with… by Will Stephenson | Nov, 2017

A Points South essay from the Kentucky Music Issue.  The last time I heard Jimmy Raney play was at Bellarmine College in Louisville. To know that a master like Raney had gone deaf was to know that a Rembrandt was… by J.D. Daniels | Nov, 2017

I used to imagine the Holy Ghost as a fog that slept in the rafters of our church. I thought our music, singing, and shouting woke the Spirit. When It looked down and saw us, It was reminded of how lonely… by Ashley Blooms | Nov, 2017

Track 5 – “Rainbows” by James Lindsey FEAT. Cicily Bullard When Lindsey raps “I’m talking rainbows,” I think he must be talking black joy. I think he must be talking the kind of rainbow you see in the shimmer-swirl of… by Minda Honey | Nov, 2017

Track 11 – “I’m Going to Organize, Baby Mine” by Sarah Ogan Gunning In the Eastern Kentucky coalfields, unionism—or its lack—was a creed people held and defended as fiercely as those of the region’s charismatic religions. And the music Sarah… by Elyssa East | Nov, 2017

A Freakwater song works something like this. Irwin starts singing over a bass and guitar. Bean comes in after a few bars, accompanied by violin or pedal steel. They trade lines back and forth, then converge into stacked harmonies in… by Erik Reece | Nov, 2017

Track 10 – “Camp Nelson Blues” by Booker Orchestra The music made by the Booker Orchestra of Camp Nelson, Kentucky, has been almost completely obscured by time. In that distinction, it’s representative of many of the contributions made, to the… by Nathan Salsburg | Nov, 2017

Everybody wants to be Southern but don’t nobody want to be Southern, too. To enjoy the culture, to have gentrified ham hocks, but not to deal with ham hocks’ relationship to slavery or slavery’s relationship to the present and future.… by Zandria F. Robinson | Nov, 2017

Notes on the songs from our 19th Southern Music Issue CD featuring Kentucky. This faculty, to be attuned to one’s surroundings and the ways in which they’re unique, to be rooted in the local, to be of a certain place—no matter if… by Oxford American | Nov, 2017



$10,000 for a nine-month residency in Central Arkansas to work on a book of debut creative nonfiction

Apply Here Button

Submissions for the 2018-2019 fellowship open December 1, 2017 and close March 24, 2018

b&w oa jeff baskin fellowship JBOver the past 25 years, the Oxford American, a quarterly magazine dedicated to documenting the complexity and vitality of the American South, has helped launch and sustain the careers of many significant writers of literary journalism, memoir, reportage, criticism, and the lyric essay. Since 1992, the magazine has published original nonfiction work by such powerhouses as Z.Z. Packer, John Jeremiah Sullivan, Alex Mar, Leslie Jamison, Kiese Laymon, John T. Edge, Jesmyn Ward, Barry Hannah, Wendell Berry, Michelle García, Roy Blount Jr., Stephanie Elizondo Griest, John Updike, and many others, while also routinely publishing emerging writers. The Oxford American, along with its contributors, has received numerous awards, including the 2016 National Magazine Award in General Excellence.

Jeff Baskin, a librarian by trade, was a lifelong and generous literary citizen. His imaginative approach to his work and his programming innovations brought reading and writing to countless in the North Little Rock community. In 2010, he initiated the Laman Library Writers Fellowship, an annual award that honored Arkansas writers. Past fellows included Grif Stockley, Kevin Brockmeier, Mara Leveritt, Davis McCombs, and Hope Coulter. In partnership with ACANSA Arts Festival, the Oxford American is proud to reinvigorate and expand this legacy to serve writers of creative nonfiction nationally.  

Donate Now Button rounded


Writers of any genre are invited to apply. Although the writer may have published books in other genres, the proposed project must be for a debut book of creative nonfiction. The manuscript may, however, be in any stage of development: draft, agency representation, contracted, or not. For the purposes of this fellowship, creative nonfiction is defined as literary journalism, memoir, reportage, criticism, or the lyric essay.

The Oxford American Literary Project is an equal opportunity nonprofit organization committed to empowering voices underserved by the publishing arena; women, writers of color, LGBTQ writers, those living in fly-over America, and those with disabilities are encouraged to apply. To be eligible, writers must not be in an academic program and must be willing and able to relocate to the Little Rock/North Little Rock area during the fellowship’s season. The editorial fellow must also have an interest in the making of magazines and be willing to contribute at the Oxford American offices for approximately 20 hours a week as a member of the editorial staff. The Oxford American does not require that the writer or the proposed project have a particular tie to the South; however, applications of equal literary value that align with the Oxford American’s mission will be given preference. Please visit our F.A.Q. for further information on eligibility. 


Complete applications will include blind copies of the following: a 300-500 word book proposal, a 300-500 word statement of interest in magazine editorial work, a creative nonfiction writing sample of no more than 12,000 words excerpted from the proposed project, and a curriculum vitae. The book proposal should include details of the manuscript’s scope and stage; the vitae should prioritize the writer’s previous publications and awards, as well as any previous editorial experience. Final judges will be given access to curriculum vitaes; however, the judges retain the right to consider vitaes at their own discretion. Judges also reserve the right to not select a fellow in any given year, depending on work sample quality.

The Oxford American Jeff Baskin Writers Fellowship will be judged blind, via Submittable. Only online submissions will be accepted. Documents should be attached as four separate .PDFs, none of which should include any identifying information. (Simply remove your name from your CV).

Submissions for the 2018-2019 fellowship open December 1, 2017 and close March 24, 2018.


201819MARheadshotAlex Mar is a writer based in her hometown of New York City. Her first book, Witches of America (Farrar, Straus & Giroux)—about present-day witchcraft practice around the country—was a New York Times Notable Book of 2015 in nonfiction, a New York Times Editors’ Pick, among The Millions’ “Most Anticipated Books” of 2015, and one of The Believer’s “Favorite Books” and Huffington Post Books’ “Most Notable” of 2015. Some of her recent work has appeared in the Believer, New York Magazine, Wired, the New York Times Book Review, Elle, the Virginia Quarterly Review, Tin House, and the Oxford American (where she is a contributing editor); and her essays were included in both Longreads’ and BuzzFeed’s “Best of 2016” year-end lists. She is also the director of the feature-length documentary American Mystic, currently streaming on Amazon. Alex Mar is currently at work on her second book. Her most recent essay for the Oxford American was “Blood Ties,” on being related to the conquistador Juan Ponce de León and the lies inherent in our ancestry.

201819zandriaheadshotZandria F. Robinson is a native Memphian, sociologist, and writer whose work covers African American experiences at the intersection of identity, inequality, and culture in the post-civil rights South. She earned the Bachelor of Arts in Literature and African American Studies a Master of Arts in Sociology at the University of Memphis and a PhD in Sociology from Northwestern University. She is author of This Ain’t Chicago: Race, Class, and Regional Identity in the Post-Soul South (University of North Carolina Press, 2014), which won the 2015 Eduardo Bonilla-Silva Outstanding Book Award from the Division of Racial and Ethnic Minorities of the Society for the Study of Social Problems, and is co-author with Marcus Anthony Hunter of Chocolate Cities: The Black Map of American Life (University of California Press, 2018). Her work has appeared in Issues in Race and Society, the New Encyclopedia of Southern Culture, the Annual Review of SociologyRolling Stone, Contexts, and the Oxford American, where her latest essay is “Border Wars,” about Southern borders, Kentucky hip-hop, and the borders within our own identities. Robinson blogs at New South Negress and tweets at @zfelice.

201819TimheadshotTimothy B. Tyson is Senior Research Scholar at the Center for Documentary Studies at Duke University and holds faculty positions at Duke Divinity School and the Department of American Studies at the University of North Carolina.  He serves on the executive boards of the North Carolina NAACP and the UNC Center for Civil Rights. His 2017 New York Times bestseller, The Blood of Emmett Till, was on the longlist for the National Book Award. Atlantic Monthly says this book “turns the past into prophecy and demands that we do the one vital thing we aren’t often enough asked to do with history: learn from it.” His 2004 book, Blood Done Sign My Name, was a finalist for the National Book Critics Circle Award and won the Southern Book Award for nonfiction and Louisville Presbyterian Theological Seminary’s Grawemeyer Award in Religion, among others. It became a 2010 feature film and is assigned each year to the incoming class at the North Carolina Central University School of Law.  In 2000, Tyson’s Radio Free Dixie: Robert F. Williams and the Roots of Black Power won the Frederick Jackson Turner Prize for best first book in U.S. history and the James Rawley Prize for best book on race from the Organization of American Historians. It also became the basis for a documentary film, “Negroes with Guns: Rob Williams and Black Power,” directed by Sandra Dickson, which won the OAH’s Barnouw Prize for best historical film. Democracy Betrayed: the Wilmington Race Riot and Its Legacy, co-authored with David Cecelski, won the Outstanding Book Award from the Gustavus Meyers Center for the Study of Human Rights in North America. The National Association of Black Journalists gave its 2007 Excellence Award to Tyson’s “Ghosts of 1898: The Wilmington Race Riot and Its Legacy.” He teaches African American history and culture, race and politics in the United States and the global South to students at Duke University, Durham Technical and Community College, North Carolina Central University, and the University of North Carolina and to the general public. In April 2017, the Oxford American published “The Children of Emmett Till,” a writing-and-audio narrative around Tyson’s The Blood of Emmett Till.

Have further questions? Visit our F.A.Q. or write to us at This email address is being protected from spambots. You need JavaScript enabled to view it..

The Oxford American Jeff Baskin Fellowship is administered by Arkansas Community Foundation, a public nonprofit organization that promotes smart giving to improve communities. The Community Foundation provides tools to help Arkansans protect, grow, and direct their charitable dollars as they learn more about community needs. To learn how your organization can establish an endowment at the Community Foundation, email This email address is being protected from spambots. You need JavaScript enabled to view it..

Many thanks to our generous sponsors of this program:

2017 05 17 sponsors

Molly McCully Brown selected as 
2017 Oxford American Jeff Baskin Writers Fellow

2017 05 17 BrownIn February 2017, the Oxford American Literary Project announced the Oxford American Jeff Baskin Writers Fellowship. Designed to support the writing of a debut book of creative nonfiction, the fellowship offers the winner a $10,000 living stipend, housing, and an editorial apprenticeship with the Oxford American toward a nine-month residency. The fellowship is funded with support from ACANSA Arts Festival, Argenta Arts Foundation, Tenenbaum Recycling Group, Argenta Flats Apartments, and Salter Properties. 

We are proud to share that Molly McCully Brown, a 2017 graduate of the MFA program at the University of Mississippi, is the inaugural recipient of the Fellowship. Brown, whose book of poems The Virginia State Colony For Epileptics and Feebleminded (Persea Books) was published in March 2017, will spend her Fellowship working on a manuscript titled What We Are. In her proposal, Brown wrote: “The manuscript I am provisionally calling What We Are is a collection of personal essays which approach, from a variety of angles, my evolving understanding of the intersection between the physical body and that intangible other I have come to call the soul.” 

Award-winning writers and OA contributors Brian Blanchfield, Bronwen Dickey, and Ada Limón selected Brown after a blind judging process. Blanchfield praised Brown’s work sample in the following citation: 

“For the other judges (Ada Limón and Bronwen Dickey) and I, the applicant we now know as Molly McCully Brown was a standout even among a group of thoroughly impressive finalists. The personal essays in her developing manuscript, What We Are, certainly account what it is to live and work and teach and love with Cerebral Palsy; but her condition is not ultimately the subject of the capacious, reflective essays that make up the proposed collection. In understated, supple prose, she writes about the uses and limits of anger; about the relationship between disability and religious devotion; about the ways in which ‘explaining is a kind of erasure’ and yielding to stillness brings discovery. This is unreluctant intellection, candid and crisp and often poignant, and Molly McCully Brown’s a natural.” 

Brown’s Fellowship in Central Arkansas began in September 2017. 


When is the deadline? Your application must be submitted prior to midnight EST on March 24, 2018.

Is there an age limit? No.

Is there an application fee? We ask for a $30 application fee at the time of submission, which will help us cover the administrative costs associated with the prize.

When does the Fellowship begin? The Fellowship begins September 4 and runs until May 31. The Oxford American Jeff Baskin Writing Fellow is asked to remain in residency in the Little Rock/North Little Rock area during the entire fellowship’s term.

I’m not a U.S. citizen. Am I eligible for this fellowship? Applicants must be U.S. citizens or permanent legal residents of the United States.

I already have readings scheduled in other cities during the Fellowship’s term. Will I be allowed to go? Professional travel (and necessary personal travel) is supported with time away, once approved. Holidays are also observed according to the Oxford American employee handbook. 

Do you provide housing and a stipend? Yes. 

How accessible is the Oxford American office? The Oxford American office is an open concept workspace on the second floor, and is fitted with a stair lift, but no elevator. We will provide additional accommodations or an alternative workspace should the Fellow need them, and will work with the fellow to arrange any necessary accommodations once the selection process is complete.

Will I receive the entire $10,000 stipend at once? No. You can expect to receive $1000 upfront to cover the relocation expenses you will incur in late August and $1000 at the beginning of every month to cover your basic living expenses while in residency.

Will the Oxford American take taxes out of my stipend? No. You will need to plan ahead to manage your own tax contributions. 

Do I need a car? The Little Rock/North Little Rock area has a reasonably good bus system, as well as a trolley system that moves between the downtowns of Little Rock and North Little Rock. The Oxford American office and your apartment will be possible to connect using public transit; however, the area is not walkable. We advise you to bring a car whenever possible. 

May I bring a spouse, partner, or child? Yes. 

What can I expect for housing? The apartment is clean, well lit, and furnished, basic utilities (including wifi), and basic kitchen utensils. At the Oxford American office you will be given a computer with which to work; however, the Fellow will want to bring her or his own personal computer if she or he uses one to write at home. 

My spouse/partner is a writer/artist and wants studio space. Will you provide it? No. We will be happy, however, to make available our neighborhood real estate contacts. It is common for our interns to find apartments and studios at affordable prices.

Will you accept a hybrid-genre writing sample for the application? A part of the mission of The Oxford American Jeff Baskin Writers Fellowship is to create a unique level of support for the next generation of great creative nonfiction writers. We define creative nonfiction as broadly as we know how (literary journalism, memoir, reportage, criticism, or the lyric essay), but this fellowship only supports manuscripts written in prose that is rooted in fact. 

I am not from the South. Am I still eligible? Yes. We do not require that you be from the South to receive the Fellowship. Many of our most award-winning essays are penned by writers who are not from the South, but who instead carry a unique vantage and an impeccable ethos as they approach “the complexity and vitality” of the Souths story. The Oxford American’s perfect recipient for the Fellowship is an application that puts forward the best creative nonfiction writing sample, in terms of literary quality and original vision, while also sharing a commonality with the Oxford American’s mission. However, literary quality is our first criteria in selection.

Do I list my name on my writing sample? No. Your name must not appear anywhere on any of your application’s documents. Applications with identifying information will be disqualified.

I have already published two books of poems but not a book of nonfiction. Am I still eligible? Yes. The Fellowship supports the writing of a debut book in creative nonfiction, but writers who have published in other genres are still eligible. 

I have published a Kindle single in creative nonfiction. Am I still eligible? Yes. Given their length, the Kindle single is considered the digital equivalent of a chapbook, not a full-length book. 

I dont have a home computer. May I submit my application in hardcopy via snail mail? No. Only online submissions are accepted.

The book I want to finish while on Fellowship is under contract. Am I still eligible? Yes. Your proposed project may be represented and/or under contract, but it must be your first book of creative nonfiction.

What can I expect for the editorial fellowship? The Fellow can expect to acquire skills in pitch development, professional editing, literary and arts curation, digital publishing, and the business of running an arts nonprofit and magazine. You will also gain access to the Oxford Americans significant network of literary contacts. 

I write in the mornings. Can I expect the apprenticeship hours to flex around my writing needs? Within reason, yes. As long as you reliably contribute approximately 20 hours a week toward your fellowship, we will do whatever we can to accommodate your writing schedule as our priority. We define “approximately 20 hours a week” as a flex schedule that on average equals 20 hours a week but takes into balance the at-deadline needs of both the Fellow and the magazine.

Am I eligible to publish in the Oxford American while I am a Fellow? Yes. We encourage all of our editorial staff to be active contributors to the Oxford American, both in print and online. 

I understand the Fellow will contribute to the local community while in residency. What is expected? The Oxford American prioritizes your writing time and your editorial fellowship over any other obligations or invitations; however, we encourage applicants interested in being active members of the Oxford American community. The only social obligations we require you attend during your residency are your start-of-Fellowship welcome party and ACANSA Arts Festival community workshop and your end-of-Fellowship reading and dinner. 

How are the Fellows selected? The Oxford American editors select from the application pool a shortlist of 5-7 manuscripts for consideration by the final judges. All applications in the shortlist will receive consideration by all three of the final judges. The judges collaborate in jury to select the prize recipient. The entire reading process is conducted blind.

When will I find out if I receive the Fellowship? The recipient will be notified by the first week of May and a press release will be published shortly thereafter. 

If I am a finalist but not the recipient, will I be announced in the press release? No. The Oxford American will only announce the incoming Fellow.

If I am rejected this year, am I eligible to apply again? As long as you still meet the basic eligibility requirements, you are welcome to apply for as many years as you like.

Ready to submit? Visit Submittable to upload your application. Or return to the main page for eligiblity and guidelines, here


“Perhaps the liveliest literary magazine in America.” 
—The New York Times

“The magazine’s writers share a passion for music, a respect for ideas, and a flair for writing.”
—The BBC

“A sort of Southern version of The New Yorker.”
—USA Today

“The Oxford American is a thriving example of a modern literary magazine—eager to experiment, yet firmly in control of its editorial voice; alive to history but bracingly contemporary.”
—2016 National Magazine Award citation


The Oxford American is a nonprofit, quarterly literary magazine dedicated to featuring the best in Southern writing while documenting the complexity and vitality of the American South.

The magazine was founded in 1992 in Oxford, Mississippi, by Marc Smirnoff and is known for featuring original work by such literary powerhouses as ZZ Packer, Charles Portis, Kiese Laymon, Rebecca Wells, Nikky Finney, Allan Gurganus, Ernest Gaines, C. E. Morgan, John Jeremiah Sullivan, Jesmyn Ward, and many others, while also routinely publishing emerging writers. The OA is likewise known for publishing a wide range of fine art and photography in every issue, including works from Thornton Dial Sr., Jungjin Lee, Eudora Welty, Sally Mann, Gordon Parks, Carroll Cloar, Roger May, Christopher Rodriguez, Eleanor Davis, and William Eggleston.

Since 1997, the Oxford American has published its annual Southern Music Issue, for which we have received wide praise—from the Seattle Weekly to Salon to Tom Petty. We believe American culture is profoundly influenced by Southern music, and each music issue includes not only what the Houston Chronicle calls “the single best music-related magazine of any given year,” but our sought-after CD, curated by the editors to showcase the region’s hugely varied musical legacy.

The OA relocated to Arkansas in the early 2000s and, under the auspices of a newly formed nonprofit organization, the Oxford American affiliated itself with the University of Central Arkansas. In addition to publishing the magazine, the Oxford American explores Southern culture through experiences like panels, readings, films, and concerts. We also offer a robust internship program, offering students and post-graduates unique opportunities to engage with all aspects of publishing an ambitious, national magazine.

Roger D. Hodge became the second editor of the magazine in September 2012. In October 2015, Eliza Borné was announced as the third editor.

The journalism and literature published in the Oxford American has received numerous prizes, including The O. Henry Prize and The Pushcart Prize, and has been featured in The Best American Essays, The Best American Short Stories, The Best American Mystery Stories, and The Best American Travel Writing. Over its quarter century, the Oxford American has won four National Magazine Awards—including an award for General Excellence in 2016. 

Stay in touch with the Oxford American.


The Oxford American welcomes submissions for The Oxford American Jeff Baskin Writers Fellowship. Fellow will receive a $10,000 living stipend, housing, and an editorial apprenticeship with the Oxford American toward a nine-month residency in the thriving creative capital, Central Arkansas. Submissions are open until March 24, 2018. Read more about eligibility and guidelines, here. Or apply now via Submittable


The Oxford American welcomes fiction and nonfiction submissions, as well as proposals for articles. We accept submissions via Submittable. (There is a $2 processing fee for most categories.) The Oxford American does not accept submissions on paper and cannot return manuscripts sent to the office.

Please familiarize yourself with recent issues of the magazine before you submit. The Oxford American can be purchased at discerning bookstores and newsstands everywhere. Single-copy issues and back issues may be purchased here. Issues appear in March, June, September, and December. Our annual Southern Music Issue appears in December. To learn more about our upcoming music issue, click here.

Submit to the Oxford American.


The Oxford American welcomes art and photography submissions. However, we can only respond upon acceptance. Images may be uploaded via Submittable or emailed to This email address is being protected from spambots. You need JavaScript enabled to view it. in any standard format.


POETRY SUBMISSIONS ARE CURRENTLY CLOSED. The Oxford American looks forward to considering your poetry. We ask that you familiarize yourself with our recent issues and the quality of poetry we seek, as well as the limited number of quarterly pages we have for poems. We seek to publish the best poetry “of” the American South and understand the Southern poetry movement to be of many traditions, at once manifold, divergent, and rooted. Please send up to five pages of previously unpublished works per unsolicited submission, no more frequently than twice a year. Simultaneous submissions are welcome; from us you can expect a one to three month response period. We read on a rolling basis. 

The Oxford American is hiring a Finance Assistant.

The Finance Assistant is a part time hourly position estimated to be approximately 20 hours per week, and reports directly to the Director of Finance and Operations, with additional collaboration and oversight from the Executive Director. The ideal candidate will be detail-oriented with demonstrated knowledge of bookkeeping, finance, and basic accounting practices, and will have excellent organizational skills. The Finance Assistant should be able to communicate in a clear and professional manner with vendors, customers, donors, and leadership in person, by phone, and in writing. The Finance Assistant will be handling sensitive data on a daily basis and must be able to maintain confidentiality at all times. This position will work from the Oxford American's office located in the South Main neighborhood of Little Rock, Arkansas.


  • Maintain a ledger of checks and invoices coming into the office on a daily basis.
  • Enter accounts payable and print checks.
  • Assist with invoicing.
  • Enter cash receipts and prepare deposits for bank.
  • Reconcile monthly bank statements, credit card statements, and consignment ledgers.
  • Enter monthly Palm Coast Data journal entries and reconcile accounts.
  • Assist with month-end and year-end closing activities, and audit prep as needed.
  • Receive and process payment information by phone.
  • Review data entered into QuickBooks for accuracy, and ensure supporting documentation has been received and attached (contracts, w9s, Insert Orders, etc.).
  • Filing, file maintenance, and document archiving in accordance with IRS standards and Oxford American policy.
  • Assist with cash management process for concerts, shows, and events.
  • Other office and administrative duties as assigned.


  • Experience with Excel, Word, and QuickBooks is a requirement.
  • Knowledge of Neon or another CRM or database software is helpful.
  • Exceptional communication and organization skills.


  • To be commensurate with the skill set and experience level of the candidate.

Interested candidates should send a cover letter and resume to This email address is being protected from spambots. You need JavaScript enabled to view it..

The Oxford American offers a comprehensive year-round editorial internship program.

Internships are unpaid, and we have full-time and part-time positions available. Internship terms begin in January, June, and September, though the program provides some flexibility for starting dates. Six-month internships are also available. The Oxford American's office is located in the South Main neighborhood of Little Rock, Arkansas, and we have a satellite office on the campus of the University of Central Arkansas in Conway.

We accept applications for all terms year-round but please note the following deadlines:

  • March 15 for internships starting in June
  • June 15 for internships starting in September
  • October 15 for internships starting in January

The duties of an intern include editing, fact-checking and research, proofreading, answering phones, generating article ideas, and monitoring the progress of special projects. Interns participate in the planning of issues, evaluate manuscript submissions, and are encouraged to write for

Applications should include a résumé and writing samples. Please specify the term for which you are applying.

Submit your application using this form. Simply create a Submittable account and follow the instructions to attach your materials.

Thank you for your interest.

The Oxford American magazine is available on newsstands nationwide and in our online store. Use the search function below to find a discerning newsstand near you.

Would you like to carry the Oxford American in your store? Contact This email address is being protected from spambots. You need JavaScript enabled to view it. with newsstand inquiries.

OA Logo Black box



Senior Editor JAY JENNINGS
Assistant Editor SARA A. LEWIS
Art Director  TOM MARTIN  •
Copyeditor  ALI WELKY


Editor at Large  ROGER D. HODGE

Contributing Editors



Executive Director

Senior Account Executive  KATHLEEN KING
Senior Account Executive  CRISTEN HEMMINS
Account Executive  RAY WITTENBERG
Account Executive  KELSEY WHITE
Account Executive  HAROLD CHAMBLISS

Director of Finance and Operations  TERESA GRAFALS KROGER
Circulation Director  MATT BAKER
Donor Engagement and Retail Coordinator KENDEL HAYCOOK

The Oxford American Literary Project, Inc., Board of Directors


The Oxford American Literary Project, Inc., receives support from