For Dennis Church, "photography is a perceptual practice that keeps me in the present. I am drawn to complex scenes in the American landscape that abound with visual confusion and bring my sense of order to it by picturing my interpretation of the emotional vibration and color of American life."
This series is a narrative investigation of the man-woman and culture-nature dichotomies. While these comparisons are more metaphorical than literal, they lend themselves to the understanding of how objectification, gender, and oppression translate between systems of being.
Gough uses this project as "a lifeline—a way of accessing home from afar. The tension between the realities captured on film and the mythical Kentucky that can only exist in song lyrics imbues these photographs with a sense of loss and impermanence."
This August, Amy C. Evans left her role as lead oral historian of the Southern Foodways Alliance, where, over the last twelve years, she conducted more than two-hundred individual interviews around the South and beyond.