A black bear brought his cubs to his alma mater for a home game, and the cool autumn day was a tonic to his soul, despite the fact that a drunken, redneck ferret a few rows up kept screaming obscenities throughout the game, making remarks about the coach and the coach's female relatives that could not be repeated in the presence of a minister.
For Dennis Church, "photography is a perceptual practice that keeps me in the present. I am drawn to complex scenes in the American landscape that abound with visual confusion and bring my sense of order to it by picturing my interpretation of the emotional vibration and color of American life."
This series is a narrative investigation of the man-woman and culture-nature dichotomies. While these comparisons are more metaphorical than literal, they lend themselves to the understanding of how objectification, gender, and oppression translate between systems of being.
In the small, agricultural community of Drake, Kentucky—between Bowling Green and Nashville, about a half-hour north of the Tennessee border—is a small country store called Drake Vintage Music and Curios, and its proprietor, a man named Freeman Kitchens, is the most singular collector I’ve ever encountered.