In this season of travel, we are featuring images from Brooke White’s series DUE SOUTH, TRUE NORTH. In her photographs White contrasts landscapes from Mississippi with scenes from Maine. White’s work speaks to the experience of travel. Not only the pleasure of seeing a new landscape with its unfamiliar textures and light, but also our tendency to seek out the forms and landscapes that remind us of home.
Kael Alford’s Bottom of da Boot is a book filled with water. Many of the scenes in her photographs seem to carry the threat of being inundated at any minute. Documenting a culture that is inextricably linked to water, Alford captures the homes and communities that make up a small portion of Louisiana’s coastline, specifically the two communities of Isle de Jean Charles and Lower Pointe-aux-Chenes.
Dave Hickey had a hell of a month. He announced his retirement from the art world to The Observer: “What can I tell you?” he said. “It’s nasty and it’s stupid. I’m an intellectual and I don’t care if I’m not invited to the party. I quit.” Then he quit his job at the University of New Mexico. He said he wanted to invent an algorithm that would spare writing teachers from having to read, “quires of crap.” Then his landlord smelled cigarette smoke and evicted him. And then he was gobbling steak at a restaurant when a piece of gristle lodged in his throat.
Maury Gortemiller’s work Do the Priest in Different Voices shows us familiar scenes from an unfamiliar viewpoint. The images in this series blend the icons of Christian epiphany and mysticism with mundane objects from our everyday experience, changing the backdrops of one thousand year old stories to this century in a distinctly American setting.