A conversation with Jean Shepard, Jan Howard, Jeanne Pruett, and Jeannie Seely from Winter 2013, the Tennessee Music Issue.
“One of my most cherished memories is with Minnie, just after her first breast surgery. She’d had surgery on Monday and she called me on Friday. She said, “What are you doing on Monday?” I said, “I don’t know, what are we doing?” She said, “Well, the doctor says I can’t drive but I can eat, so why don’t you pick me up and we’ll go to lunch at the club?” So I get to her house at 11 A.M., and for some reason that day she wanted to show me certain things about her house. She walked me through, telling me stories about everything. It was the greatest three hours that I’ve ever spent with someone who wasn’t family, but it was not with Minnie Pearl, it was with Sarah Ophelia Cannon.”
This weekend is the annual tomato festival at the Bells Bend Neighborhood Farm, and the farmers lay out an all-you-can-eat buffet of the many varieties of heirloom tomatoes grown there: Cherokee greens, Cherokee purples, zebras, Japanese black trifeles, Ozark pinks, Pruden’s purples, and best of all, sungolds, which are small and firm tomatoes that taste warm and almost salty, like they were plucked from the vine on a hot afternoon just moments before they made it to this table. And amid all this sweet bounty: a square dance.
If you’re good enough to back somebody up or play in the recording studio, then Nashville is the town for you. That’s not enough, though. Everybody plays and sings great; that’s a given. But you get jobs because you’re a good hang, relaxed and easy to deal with.
I think the best that we can do as songwriters is try to document and try to record something about the time that we’re living in. If you want to connect with people who are alive now—unless you’re singing to ghosts—you better talk about things that are happening in the present.
An interview with Amanda Shires.
I was trying to be on my own in Lubbock, playing my own songs, but I guess people didn’t see me like that. It was my fault, because I had to pay my rent, so I was still taking sideperson work, which kept me from being known as just that. I had written some songs with Thrift Store, but it was never an idea that I could do it on my own, solo, until Billy Joe told me to. He even said, “There’s no loyalty in side work. This week, fiddle is cool, but next week, it might be a dobro, and then where will you be?”